Felix Fabri describes Venice as a beautiful and wonderful city, full of old stone and great architecture. Fabri calls Venice, “the mistress of the Mediterranean, standing in wondrous fashion in the midst of the waters, with lofty towers, great churches, splendid houses and palaces” (21). He makes these observations as he and his traveling companions float along the Grand Canal. This section is much more descriptive than his other entries, implying that he has a greater appreciation for architecture than natural scenery such as mountains. Fabri also describes Venice as “famous, great, wealthy and noble” (21). His admiration for the city is quite obvious when compared to his previous descriptions, which lacked such enthusiasm. His previous descriptions differ in other ways as well. For example, he was previously more focused on the people he came across and the churches and festival days of the locals.
Fabri notes that they are staying in the inn of St. George and that he’s stayed there before. He calls the innkeepers by name, Master John and Mistress Margaret, as well as describing them in warm and friendly terms. Fabri writes that the inn is completely inhabited by German speakers, quipping that “no word of Italian was to be heard in the house” (22). Fabri informs the reader that he and his companions arrive at the inn by boat and had to hike up sixty-two steps with their luggage. He also goes on to list off all twelve of his traveling companions, their titles, and personality traits. In a very interesting section, Fabri spends a while describing the innkeepers’ dog, who by his account, loves all Germans and dislikes Italians.
Fabri’s description of the German-loving dog isn’t just fascinating, but it’s also very revealing. Fabri writes that the dog greets all Germans with “joy”, but “when Italians or Lombards, Gauls, Frenchmen, Slavonians, Greeks, or men of any other country except Germany […] he becomes so angry you would think he was gone mad” (22). Aside from it being impossible that a dog could know whether someone was German or not on sight alone, this reveals that Fabri has a very strong sense of nationalism and prides himself in being a German. He even goes on to say that this dog is proof that Germans and Italians will never agree, stating that “each nation has a hatred of the other rooted in its very nature” (22). Fabri goes on to insist that humans restrain their feelings of hatred with reason, but animals can’t deny their nature which includes a hatred for other countries. This particular view of nationalism is very aggressive and confrontational. While most other travel narratives define themselves and other people through religion, Fabri divides people based on where they are from. Fabri’s insistence that it is natural to hate people of other nationalities is a little bizarre, but helps explain his disdain for people living in the Italian countryside and Italians who can’t speak German. Maybe Fabri’s vehement nationalism stems from existing conflicts. It would be interesting to contextualize this information with the contemporary political climate.