Album Review- Fishing for Fishies by King Gizzard and the Lizard Wizard
by Jackson Rhodes
King Gizzard and the Lizard Wizard, an Australian psychedelic rock band formed in 2010 and fronted by Stu Mackenzie, return after a year-long hiatus with a cohesive and sonically radical new album, Fishing for Fishies.
The Gizz announced at the beginning of 2017 that they would release five studio albums throughout the course of the year; Mackenzie elaborated that “We had this random batch of songs. It was not a cohesive record at all. So we thought we’d split it up, and split again until it became five.” Flying Microtonal Banana, Murder of the Universe, Sketches of Brunswick East, and Polygondwanaland were released, concluding on December 31, 2017 with the release of Gumboot Soup. Although an exciting idea which produced gems like Flying Microtonal Banana and Polygondwanaland, the rate of album releases surpassing even Brockhampton was bound to birth some half-baked and rushed ideas (looking at you, Sketches of Brunswick East). It’s a credit to the band that quality was retained through the mass of quantity pushed into 2017, validating their hiatus through 2018. With the new release of Fishing for Fishies after just a year and few months from Gumboot Soup, the lack of Gizz content versus 2017’s prolific output makes the hiatus feel more like a decade.
If there’s one thing in common between Death Grips and King Gizzard and the Lizard Wizard, it’s a hatred of a stagnant instrumental palate. Previous works like Nonagon Infinity boast instruments as strange as the Zurna: Fishing for Fishies laughs at that and uses vocals, electric guitar, acoustic guitar, keyboards, mellotron, piano, synthesizer, organ, bass, flute, drums, vibraphone, drums, percussion, and a harmonica to create a catchy, irresistible psychedelic blues-rock sound that boogies like nothing has ever boogied before. In a similar kooky charm to Bill Wurtz or hokiness of T. Rex, King Gizzard’s leading harmonica lines and quality drumming throughout the record create an enrapturing boogie. I mean, this thing’s got boogie. There should be a warning on the album cover that, upon starting the album, your body will be paralyzed into the boogie until the final track fades away. If there’s one thing I can’t emphasize enough, it’s that if you listen to this album, the boogie shall be within you.
Fishing for Fishies is an indication of what the Gizz can do if they allow themselves the time to do it. Songs like “This Thing” and “Acarine” methodically morph throughout their durations, easing transitions through introductions of varied instruments; “This Thing” in particular switches up the beat so much Travis Scott should be punching the air out of jealousy. While I’m talking about it, “Acarine” is an example of the environmental theme throughout the record, bringing to light the acarine disease that mortally handicaps bees’ ability to fly (and makes it psychedelic). “Plastic Boogie”, while instrumentally still an undeniable boogie, spreads the boogie into blunt lyricism, where Stu Mackenzie sings “It’s not fantastic/It’s gonna come and kill us/It’s gonna be massive/It’s gonna be brutal/Death will come from plastic/Death will come from people”.
Is this record a great album throughout? Absolutely not. “Cyboogie”, despite the boogie still being present, lies too flat in its electronic production, an unnecessary direction for the bluesy record. You could consequently say that “Cyboogie”, despite its annoying qualities, is a welcome point of variance from eight other songs that sound interchangeable in the tracklist. However, you gotta love this thing for what it is. If you need some well-crafted boogie, buddy do I have something to show you.
I was already a fan of the group before this concert, but I have an entirely new appreciation for all of the hard work that goes into their performances, and their genuine talent amazed me. Each band member played multiple instruments throughout the show, with lead singer Marcus Mumford actually playing the drums at one point while he was singing (an impressive feat).
since. For 18 years, Ken managed facilities here at Dickinson, but in the past three years he has been the Associate Vice President for Sustainability and Facilities Management. He is in charge of directing the college to reach its 2020 goal of carbon neutrality, in which the college will reduce 25% of its emission due to heating and cooling buildings, along with other actions. This is a huge responsibility, and requires the action of every student, faculty, and staff member. Therefore, Ken uses his radio show as a means to remind people of their responsibility to our environment and Dickinson’s climate conscious pledge. 
Over time, Davis has switched to CDs, though he questions what he’ll do when those go out of style as well. Because of the popularity and age of his show, Davis has connected with many bluegrass artists and labels who send him bluegrass music. This way, Davis finds new voices, sounds, and twists on his favorite genre each week. This relationship also allows Davis to curate larger bluegrass events, such as Bluegrass on the Grass, a Carlisle community event that occurs every summer on the Dickinson campus. Inspired by the fun he found in playing with his own band, Country Bob and the BBQ Boys, and help from other bluegrass lovers, Davis introduced Carlisle to a bluegrass festival that is now one of the town’s most popular community events. Davis of course wanted to show people how lovable bluegrass is, but also had the intention of depicting Dickinson as an approachable and desirable place to visit. The town had other popular music festivals in the past, but they mostly focused on orchestral music, a genre that Davis believes to be less accessible. Bluegrass, on the other hand, is easy to dance along to, and brings joy to many listeners, and Davis himself.
Before Davis’s WDCV career started, he served as a United States Army Officer in the early 70s, and participated in many Outward Bound wilderness classes, in which he learned survival skills and the ability to get along and work with others who were different than him. Davis then went back to school and earned a Master’s and Ph.D. in Counseling Psychology. He worked at Dickinson College as a counselor in the Wellness Center for 29 years, and as a faculty advisor for WDCV for over 10 years, where he made many improvements for the station and the students involved. In 2010, Davis retired, and has since worked part time at Franco Psychological Associates in Carlisle in addition to continuing his WDCV radio show. He starts his day around 5 am every day, occasionally accompanied by his beautiful labradoodle, Freddie, who loves to snuggle up next to anyone he takes a liking to, which is most everyone.
