Oculus Go Virtual Reality Headset and Controller
Must be operated with Oculus Go App to connect to Wifi
For more information visit this site. Oculus Go Walkthrough
For more information visit this site. Oculus Go Walkthrough
I thought I’d do a quick write up on a few of my favorite games that we have, Mass Effect 3 and Dishonored. Two articles that we have been posted on the media center blog suggest that most individuals may view gaming as simply “doing what you like” or “wasting time playing games”. There seems to be an inability to appreciate video games as an interactive medium which lets a user actively engage themselves in content where decision making, strategy, character development, and high end intellectual and literary themes are all present. The argument that learning done in an enjoyable way isn’t learning strikes me as one of the most baseless and idiotic arguments ever conceived, if anything, it’s a more evolved and high-powered form of learning that we should all strive for. There was once a time film was not a respected form of artistic expression, now it is viewed as one of the most. In the exact same way, video games can artfully and brilliantly present us with stories that move us to sympathy, compel us towards action, or force us into a state of bitter resentment. They have the added benefit, however, of allowing the designers to weave the elements together in a world that the user engages in, rather that just merely sitting and admiring. A good game presents challenges, and these challenges are overcome by the player identifying elements of the game they’re most proficient at, and then capitalizing by creating strategy that puts these elements in the forefront. Someone can call it senseless fun all they like, this is an advanced method of utilzing various cognitive schemas to problem solve. When you add an entirely new dynamic such as multiple languages that a game can be played in, the power of games as a learning tool increases tenfold. In a game such as Super Mario, this may essentially be a moot point, as the game itself contains barely any dialogue. But throw in a game like Mass Effect or Dishonored and everything changes.
The power of games like Mass Effect or Dishonored lies in the depth the games have, both in terms of meaningful options offered, and the intensive story that’s created through rich dialogue and highly interactive storytelling devices. Take Mass Effect for example, you are given combat situations where you must defeat certain enemy AIs that attempt to adjust to strategies you use. To begin, you have an arsenal of customizable weapons, powers, and armor – each one offering certain advantages and disadvantages. Then you can customize your character by choosing different classes, each also with distinct advantages and disadvantages. This sort of customization leads players to evaluate what will create both the strongest setup in general, and the setup that most effectively lends itself to their playstyle. The same sort of in depth strategy is in place in Dishonored, where the player must constantly choose between stealth and combat. Certain traps that would prove fatal can be wholly circumvented if the player simply elects to craftily construct a strategy which employs the various stealth-based powers and methods the game allows Korvo, the protagonist, to use. This alone would present a basis for educators to promote video games as an educational tool, but throw in the rich storyline with dialogue in a foreign language and you have an entirely new kind of teaching device. Not only do games like Mass Effect and Dishonored have characters and plot elements which teach about things like existentlist ideals, religious zealotry, sacrifice, privileged birth, discrimination, racism/xenophobia, etc. but they are also filled with a rich, dialogue heavy script that in certain cases is completely interactive. Translate this script into another language, and suddenly you have a sort of immersive language teaching device. The ability of a game to draw a player in and keep them interested through the interactive elements gives games a distinctive advantage as a language teaching tool since other methods don’t always compel the learner to stay engaged for more than a short time. Not only are games enjoyable, but they force the learner to really engage in the dialogue in a natural sort of way, since failure to do so will lead to potential struggles with the game play, while making it forgiving enough and fluid enough to feel like a dialogue rather than a series of note cards with translated vocabulary words on the other side. This is the power that games like Mass Effect and Dishonored have, and it’s a power that sadly seems lost on a myriad of brilliant minds simply because pre-conceived biases about the nature of these powerful educational aids have clouded peoples’ ability to accurately judge the merits video games really possess. Hopefully people can immerse themselves in a world of decision making and storytelling, realize the value of some of these games, and incorporate them as a secondary tool in educational curriculum to give learners who prefer non-traditional approaches a different way to enlighten themselves regarding languages, plot structures, critical thinking, and much much more.
Hearing that the pentagon is teaming up with DARPA to develop a cyber weapons platform that creates a well defined and polished cyber-warfare platform may not be surprising, but the idea that they’re comparing the graphical interface for this platform to World of Warcraft or Angry Birds should at the very least throw you for a loop. But that’s exactly what the new Plan X that DARPA is working on intends to do, it will blend Cyberwarfare and easy to use gaming interfaces to create a platform a non tech-savvy general could still use to carry out an advanced cyberattack. Underneath the GUI is a complex and well-coded system that should more efficiently enable the U.S. to map and deal out cyber-attacks when they deem appropriate against the networks of hostile groups, but the actual interface that the commanding officer will use may remind you more of a Starcraft II interface than some complex Matrix-looking code screen. For more details check out this article or Google Plan X to get some of the details on this whacky new project.
Civilization IV is a PC game that allows the player to control a civilization from 4000 BC until the modern era. The player needs to make decisions regarding resource management, diplomacy, technology research and civics in order to successfully guide the civilization into the modern era. The game can also be modified to represent the world as closely as possible at a given point in history.
Faculty and students in political science, history, sociology and religion.
Instructor Led-Hands On
50-100 Minutes – In Class Time
Want to know more? Contact bryantt AT dickinson.edu to set up a consultation.
In this first year seminar, Professor Fratantuono had his students compare what they’d learned from “Guns, Germs, and Steel” and “Hot Flat and Crowded” with their experience playing the game Civ IV.
In this International Studies course, Professor Webb instructed his students to play a historical mod of Civ IV that represents the western world in 1492. Students took on the role of Spain and their first encounter with the Aztecs. Students then compared their own actions and situation with history and used the ideas from “The Conquest of America: The Question of the Other” to discuss possible reasons for discrepancies.
Did you know that our Language Technologist, Todd Bryant, is a scholar in educational gaming. Did you just get turned off because I used the term ‘educational gaming’. Worry not, most of these games are the same ones you want to play, but maybe with a little twist added to them (shhh…you might just learn something while you play).
We have Civ 4 that includes a mod written by Todd which includes a historical simulation of the western world in 1492. This modded version was written for, & played in, Professor Ed Webb’s Empires Course while they researched the Aztec empire. Another mod will be built by students during the Fall ’11 semester in Professor Michael Fratentuano’s Global Economy Course with topics covering resource scarcity, globalization and conflict in world powers and Africa.
We also have a range of contemporary games modded to be played only in foreign languages to achieve language immersion. Some of these include: The Sims 3, Prince of Persia & Mass Effect and others will be added over time. A game called Peacemaker is available that chronicles & analyzes the Israeli/Palestinian conflict and puts you in charge of trying to solve it. You will understand just how complex the issues are the drive the conflict.
Finally, we have 2 console systems in the Media Center. A Japanese Wii & a German Xbox with Kinect are available for check out.
Want to know more? Check out this slick video our student employee Brennan created!
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