We are currently living in an era defined by a technological renaissance. Humanities machines, weapons, and access to knowledge have surpassed the imaginary limits of many 20th century novelists and—to be quite honest, elicit in me a curious sense of caution as to our limits. The Internet, genomics, Solar-Photovoltaics—these are instruments and ideas that would have been inconceivable fifty years ago. My generation has always been exposed to a world of knowledge that hadn’t existed a few years before our birth.… Read the rest here
The military technology reflects in Things to Come reflects that of World War I, only occasionally showing new developments in the context of a World War I-style conflict. H.G. Wells reflected pre-war conceptions of how the next war would occur, showing masses of troops crossing trenches into no-man’s land, tanks massed and charging across rough terrain, as well as gas attacks. It is interesting to note that Wells’ pre-war conceptions versus how the war actually occurred are similar to how pre-World War I writers envisioned the Great War; both were able to determine the technology that would make a difference on the battlefield, but both failed to realize how it would be used and how much of an impact these technologies had.… Read the rest here
Humans are creatures of habit; we don’t like change. This dislike can morph into fear, especially when it comes to technology. In his film Metropolis, Fritz Lang explores the marvels and horrors that could come from technological advances. While Lang illustrates class inequality and warfare, the film focuses mainly on scientific advancement as a double-edged sword.
Metropolis is the story of a futuristic city, in which the wealthy live extravagantly while the poor work all day to keep the city running.… Read the rest here