Who really likes living in a communal apartment anyways???

The idea of the USSR as a “communal apartment” presents the idea of socialism and the Soviet state in an analogy that is easy to grasp and remember ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), p. 414))). The “communal apartment” ties in with the author’s thesis of the creation within the Soviet Union and the “Bolsheviks efforts on behalf of ethnic particularism.” Consistent efforts is seen in promoting group rights even at the cost of not harmonizing with rights of the proletariat, in contrast showing hostility to the rights of the individual ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), p. 415))). Part of the whole socio-political experiment is summed up in the following quote, “ ‘The world’s first state of workers and peasants’ was the world’s first state to institutionalize ethnoterritorial federalism, classify all citizens according to their biological nationalities and formally prescribe preferential treatment of certain ethically defined populations” ((David A. Hollinger, How Wide the Circle of the ‘We’? American Intellectuals and the Problem of Ethos since World War Two) American Historical Review 98 no. 2, (1993), pp. 317-337))). These nationalities would make up the separate rooms of the Soviet Federation.

This idea at first may seem contrary to socialism. Even early socialist closely tied to Lenin disagreed with this approach. Yet here Stalin and Lenin both agreed on this idea. To be clear we need to differentiate between “national culture” and “national traits, interest and responsibilities”. The USSR’s makeup consists of various groups such as Ukrainians, Russians, and Georgians whom each possessed individual peculiarities that made them such, national traits. Thus, these groups viewed as separate nations, possessed rights ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), p. 416))). Acknowledging that each group had its own unique rights played a key part in unity of the federation. Stalin stated, “Nations are sovereign and all nations are equal” ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), p. 416))). Equality in no way means that all nations are equal in size, power, economy or in their development whether “civilized” or “backward”. “But all nations—indeed all nationalities no matter how “backward”—were equal because they were equally sovereign, that is, because they all had the same rights” ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), p. 416))).

This entire idea seems to be counter-intuitive. It railed against what many socialist viewed as an “‘philistine ideal.’ Lenin’s socialists had to “preach against [slogans of national culture] in all languages, ‘adapting’ themselves to all local and national requirements”” ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), pp. 417-18))). Therein lies the crux of the issue why allow for nations within the federation.  It was a necessary evil to get individuals to adopt socialism, someone who was of the same language and background to support and perpetuate socialism. Now the locals view socialism as a nationally owned idea and not as an imposed idea of a different nation.  Lenin also came to realize that to gain the trust of these once former oppressed nations under tsarist control, recognition as a nation built confidence and trusts in the idea of the USSR and promoted the idea of acceptance to state socialism. This doctrine actually was successful through the 1930s. Nearly 200 separate national identities emerged with schools, periodicals and communities establish to support this grandiose effort. This required a massive bureaucracy to manage this system, requiring change of policy again.

Finally, “by the end of the decade most ethnically defined soviets, villages, districts and other small units had been disbanded, some autonomous republics forgotten and most “national minority” schools and institutions closed down…however…the ethnic groups that already had their own republics and their own extensive bureaucracies were actually told to redouble their efforts at building distinct national cultures.” The idea behind this was “in order to concentrate on a few full-fledged, fully equipped “nations” ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), p. 445))). The purpose behind this idea was to promote culture to the various republics through the arts, which lasted until the demise of the USSR in an attempt to bring a cohesiveness to the state. Emphasis now is on a national language in addition to the language of each individual’s nationality to reaffirm this solidarity of state. Did this experiment work? The answer is summed up in the final word of the article where it states, “Seventy years after the X Party Congress the policy of indigenization reached its logical conclusion: the tenants of various rooms barricaded their doors and started using the windows, while the befuddled residents of the enormous hall and kitchen stood in the center scratching the backs of their heads [referring to the Russians]. Should they try to recover their belongings? Should they knock down the walls? Should they cut off the gas? Should they covert their “living area” into a proper apartment?” ((Yuri Slezkine, The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism) Slavic Review 53 no. 2, (1994), pp. 451-2))). So goes the social experiment, the Soviets seemed always to take the most convoluted way to get to a goal, ultimately the tenants final decision to flee the communal apartment passes judgment on this grand experiment.

Mazzini and Nationalism

Author: Giuseppe Mazzini, 1805-1872. Founder of Young Italy (1831), Mazzini was an Italian activist and politician and one of the most significant figures in the push of nationalism and democracy.

Context: Published in 1852, in a time when revolutions such as the French (1848) and others were happening with comparable frequency, the ideas of nationalism and unification were picking up steam.

Language: Mazzini wrote in a very “matter of fact” tone. It read optimistically in the sense that if everything he stated was followed, Italy would be in a great position. This piece exuded a great deal of confidence and grabs the intended audience’s attention.

Audience: The European people.

Intent: Inspire Europeans to come together and unite as one, increasing pride in their respective countries.

Message: He states, “They speak the same language, they bear about them the impress of consanguinity, they kneel beside the same tombs, they glory in the same tradition.” Having said this, he questions why these people with so much in common do not unite as one and reap the benefits from such behavior. He alludes to the fact that not many European countries have such unity and how advantageous it would be.

Why: To respond to the uprisings and revolutions of the prior few years. He determined that one of the main issues in Europe was a lack of unity and explained how he felt they could improve their situation.

Fichte’s new Germany

Johann Gottlieb Fichte, was a Germany Philosopher, and reformer, who was also a great supporter of the French Revolution. Fichte would have been considered a liberal at the time who wanted to see the lower classes rise up, and take a portion of prosperity for themselves. His ideals came from the area of Europe in which he lived. Fichte was a resident of Berlin, which was not part of one specific nation. Berlin was much like an Italian City-State during the Renaissance because it was not always under control of one nation or kingdom.

The Germany that we know today did not exist in anyway what so ever. The region that is called Germany today was a collection of over thirty different states that were never autonomous with each other. Napoleon was the first man to unite the German states into a specific body, the Confederation of the Rhine. This action started to bring German speakers together.

This increase in the idea that people who had the same language, customs, and cultural identity could be a nation was new, but one that soon became very popular with German citizens of the many different states. Fichte’s proto-nationalism was widely read, and his writings, and the writings of many other early 19th century thinkers became the “bibles” of the great nation builders such as Otto Von Bismark in Germany, and Garibaldi in Italy.

The French Political and Cultural Revolutions

****Response to Friday’s prompt that I was having issues posting
The transition from absolutism to enlightenment brought a new set of societal ideals that impacted both the political and social structure of France. By turning the hierarchical political system on its head, a significant cultural revolution was bound to accompany it.
Kant, in his analysis of enlightenment described it as man’s ability “to make use of understanding without direction from another” (Kant 1). This new emphasis on reason and self-reliance very directly confronts the old absolutist hierarchy, where everyone is reliant upon those higher in the social/political estate system. Similarly, Turgot also reflected on these changing principles by underlining the self-sufficient providers and farmers of the third estate as the most important part of society. This in hand with economic hardship and ideological influences from the American Revolution encouraged the third estate to fracture from the old absolutist system in favor of one where each individual voice had the opportunity to express his opinions.
France’s cultural revolution tailed on the heels of the countries crumbling political structure. As the estate system turned upside down, individuals began searching for their voice in the new system. During the absolutist regime the church was a huge part of the broken political system, so symbols of this past regime were abolished as quickly as possible. A new calendar was erected, churches were renamed, and names of former Kings and Queens were banned. This vast cultural upheaval was a direct reflection of the political upheaval that had just taken place. People simply wanted out with the old and in with the new. In this case, the old was marked by the church and monarchs and the new was marked by reason.
Another huge cultural phenomenon that was intertwined with the political revolution was a newly born French nationalism. In La Marseilles, a new French identity is expressed in lyrics such as “sacred love of the fatherland, guide and support our vengeful arms” (Modern History Source Book 1). People who had fought together suddenly identified with their fellow countrymen, and culture began taking on a French identity instead of a regional one. This would again connect with the political phenomenon of the former third estate having a say in political affairs; people had a reason to unite culturally after having united politically. Having a new voice in the system, those in the far corners of France suddenly felt more connected to the capitol.

German Nationalism

German philosopher Johann Gottfried von Herder lived during the 18th century, contributing much to the philosophy of history. Inspired by the Enlightenment, he thought rationally about the correlation between human events and history. In one of his more known works, Materials for the Philosophy of the History of Mankind, he laid the foundation for German nationalism. As western Europe began its nationalist movement, people living in central Europe (today Germany) had a difficult time grasping with the idea of a collective group under one nation. Since hundreds of people speaking different languages and having different customs lived in the region, von Herder argued that Nature brings groups of people together which eventually establishes a sense of national identity. His worked is targeted at future activists who believed in a need for establishing a nation. He believes, “active human powers are the springs of human history, and, as man originates from and in one race, so his body, education, and mode of thinking are genetic” (Halsall). Because of this, a group of individuals will establish a national identity.

Similar to von Herder, Johann Gottlieb Fichte hailed from Germany and is considered by some to be one of the Fathers of German Nationalism. Inspired by Immanuel Kant, Fichte dedicated his work to understand the mystery of human consciousness and a need to establish German nationalism. In his, Addresses to the German Nation, he states, “Those who speak the same language are joined to each other by a multitude of invisible bonds by nature herself, long before any human art begins; they understand each other and have the power of continuing to make themselves understood more and more clearly; they belong together and are by nature one and an inseparable whole” (Fichte). Since this bond exists between man, a national identity needed to be establish to incorporate all who lived in a region who shared similar ideals.

 

Johann Gottlieb Fichte, Thirteenth Address, Addresses to the Gerrnan Nation, ed. George A. Kelly (New York: Harper Torch Books, 1968), pp. 190­91,193­94,197­98.

 

German Nationalism

Nationalism is defined as ” devotion and loyalty to one’s own country” (http://dictionary.reference.com/browse/nationalism) and it was the main focus in Johann Gottlieb Fichte’s piece To the German Nation. Fichte was a German philosopher who lived from 1762 to 1814 and developed many of his ideals from analyzing Kant and his writings. (http://en.wikipedia.org/wiki/Johann_Gottlieb_Fichte). He aimed for the ears of the common German man/woman to rally together and show unity and pride in their respective nation. Once a supporter of France and the Revolution, Fichte changed his stance after Napoleon overrode Germany. Fichte wrote, “Those who speak the same language are joined to each other and have the power of continuing to make themselves understood more and more clearly.” (Fichte) He spoke against “the deceptive vision of a universal monarchy” and attempted to convince the German population to dig deeper and embody the ideals of their nation as a whole. Nationalism is an extremely important factor in the rise of any nation and began to escalate in this time period for the Germans.

Nationalism within “Materials for the Philosophy of the History of Mankind”

In German philosopher Johann Gottfried von Herder’s piece, “Materials for the Philosophy of the History of Mankind” he provided other German thinkers with the knowledge and ability to be able to think and identify with nationalism for themselves. For most European countries, it was easier to understand nationalism with the similarities between people within their state, but for Germany, it was comprised of, “Peoples of different religions, languages, and traditions lived interspersed with each other under a huge variety of states and semi-states – empires, kingdoms, dukedoms, and independent cities.” (Halsall 1).
In the writing, it is discussed what the ideas for nationalism are. Nationalism can be understood as a similarity or “national character” between people within a given defined boundary. People can identify more closely with someone that looks, speaks, and acts with the same tendencies as them, rather than someone that comes in from another country and speaks an entirely different language.

Materials for the Philosophy of the History of Mankind

Johann Gottfried von Herder was a German philosopher associated with the Enlightenment. He wrote the article, “Materials for the Philosophy of the History of Mankind” in 1784, and he discussed the idea of nationalism. Paul Halsall provided an introduction to this article. There have been different types of nationalism, such as cultural pride, …right to self-government, and …national superiority” (Halsall 1)

He established the central ideas of nationalism, which are that people can be defined as having a “common history, language, and tradition” and that a nation “has a unique claim to be considered a legitimate political basis for sovereignty” (Halsall 1). In general, the people of nations do not necessarily consider themselves as members of a given nation. They are more aware that they belong to a smaller group, such a family or a town whereas nationalism is in a broader sense.

For France, the concept of nationalism was difficult because most residents of France did not speak French. Ultimately, a French national identity was created by having all people learn to speak French. For French thinkers, an nationalistic France was not complicated because France had been established as a united state. However, for German thinkers, the idea of nationalism was more difficult because heterogenous groups of people were interspersed. For example, people had different religions, languages, and traditions. THe idea of nationalism can be created throughout language because “to deprive a people of its speech is to deprive it of its one eternal good” (Halsall 2).

How do you think that the United States establishes its own sense of nationalism and how does this compare to the idea of nationalism in France during the French Revolution?

German Nationalism

A German philosopher and supporter of the French revolution, Johann Gottlieb Fichte wrote his series of addresses to the German Nation in 1806. During this time, France was under the rule of Napoleon who had set about on different conquests across Europe, Germany included. The French invasion of Germany caused Fichte to think twice about his feelings towards the French and the French revolution and force the German nation to ask themselves what it truly means to be German.

Fichte’s address to the German nation is more of a persuasion as he explains the ways in which the German people need to embrace their own nationality and defer away from the French. Fichte goes about this by stating “Those who speak the same language are joined to each other by a multitude of invisible bonds by nature herself” (Fichte 1). Continuing this statement, he argues that people of the same country have a similar understanding and they belong together, becoming an “inseparable whole” (Fichte 1). The problem however, is that the whole becomes disrupted and confused when others, the French, try and interfere. Fichte states that the French have taken advantage of the Germans, pillaging their villages and using their men to fight in wars. Rather than accept the French into the German nation, Fichte argues for the Germans to unite and form their own nationality.

La Marseillaise

The French Revolution is often considered one of the most important revolutions in world history, because it was one of the most violent and yet romanticized series of events, and one of the most influential and impacting revolutions in history. For many, it served as a cautionary tale of what could happen to a country or a state if class struggles and separation became too great. (In fact, the French Revolution later impacted Karl Marx’s views toward capitalism and elitism. He came to see it as a step towards a proletarian revolution and heading down the path he was thinking.) However, such a revolution would not have occurred had it not been for those who inspired it with their speeches, their songs, or their essays. A state of discontent or disapproval is not enough to get a revolution started, rather, someone needs to stir the proverbial pot and provide a rallying cry around the misfortune. It’s quite ironic that the composer of one of the most famous pieces of the French Revolution was a royalist, who wrote it while defending France against the Austrians.

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[youtube_sc url=”https://www.youtube.com/watch?v=4K1q9Ntcr5g” title=”La%20Marseillaise,%20French%20National%20Anthem%20(Fr%2FEn)”]

((“La Marseillaise, French National Anthem (Fr/En),” YouTube video, 5:21, posted by “bursty13,” September 1,
2007, https://www.youtube.com/watch?v=4K1q9Ntcr5g.))

La Marseillaise Sheet Music ((Rouget de Lisle, Claude Joseph. La Marseillaise. Retrieved from http://imslp.org/wiki/La_Marseillaise_%28Rouget_de_Lisle,_Claude-Joseph%29 ))

 

“La Marseillaise,” composed and written in April 1792 by Claude Joseph Rouget de Lisle (1760-1836), was quite the revolutionary piece of music. The song itself follows much like a march, and has an easy and catchy tune. The refrain of the piece, or the repeated part of music, has simple words and simple notes, and therefore makes it easy for everyone to sing, hum, or whisper along. Thus, it intrinsically represents one of the ideals presented by John Locke, and that many revolutionaries believed in – equal opportunity. More specifically, it presents the opportunity for everyone who wants to sing along to be able to sing along. The piece’s style, therefore, in itself makes it revolutionary.

Secondly, the lyrics make the song revolutionary as well. Often times, the lyrics express the need to defend the “fatherland” (verse one, line one) against the enemies “tyranny” (verse one, line three) and “savage soldiers” (verse one, line seven). The lyrics therefore express the unification of one group of people facing the oppression or aggression of another individual/group. Such a description also depicts what is considered to be a revolution. To be put simply, during the French Revolution, the suppressed impoverished and middle class unified to take on the oppression of royalty and nobility. Lastly, the second verse highlights the need for the defense of liberty and freedom, also a rallying cry of the French Revolution.

Lastly, the song generated lots of controversy in the years following the French Revolution due to its root history. Despite being declared France’s national anthem in the years following the Revolution, Napoleon I banned the piece soon after becoming ruler in France. Following this, the song underwent periods of being banned and legal for the next three quarters of a century. It appears that, for many, the piece’s revolutionary undertones were too much for the rulers that followed and as such, the piece consistently was controversial and under scrutiny. However, following its reinstatement as the national anthem in 1879, it has remained that way since then.

Possible Questions to Consider:

Do you agree with my argument that the song’s catchy nature makes it effective as a revolutionary song?

Why might a song be especially effective at transmitting attitudes and thoughts? Or rather, what might make a song more effective than an essay or a novel/book?

Are there any other famous revolutionary songs that you may be able to compare this one too?