Circus

In the Russian film, Circus, directed by Grigori Aleksandrov, a clear message is carried throughout the entire content of the film. One can automatically catch on to the film’s pro-Soviet message, which includes a positive portrayal of the country. This is first is shown when Marion finds refuge in the Soviet Union from the United States because she is the mother of an African American baby. The film tells the audience that the Soviet Union does not discriminate against any race and embraces everyone with open arms, portraying themselves in a positive manner and informing the nation on their improvement as a collective group. This specific message is also shown in the very end of the film, the closing scene includes the circus’ audience singing a lullaby to the baby and shunning the circus manager for his racist comments and actions towards the baby. The baby is passed around through the audience as everyone sings and lulls the baby to sleep (denoting their collective unity). At the very end of the film, Marion understands that her new home (the Soviet Union) is the right place for her and her baby and understands that the Soviet Union is the only place she can be happy and ends the movie with a song dedicated to her motherland.

This specific piece shows the change in the arts of the time, this film was made at the time where the arts were used for the purpose of the state. It is a prime example of where the Soviet Union is portrayed in a positive and welcoming way where the outside world could see its improvement and impeccable state.c

Circus

In this film by Grigory Alexandov, a young woman named Marion Dixon (perhaps a play on the Mason Dixon line) joins a Russian circus after being forced to flee her American hometown after the townspeople discover that her son is black. She performs a daring routine called “The Flight to the Moon” which the manager of the circus, Ludvig, wishes to imitate with his own daughter, Raya. One night when Mary is performing, Ludvig shows her act to Ivan Martinov, a performance director. He feels immediately attracted to her and they fall in love. When she has to return to America, she protests, wanting to stay with him. Due to a mixup with the letter she writes for him, he believes she is in love with another man and refuses to say goodbye to her. She tells him the truth and they do the “new” act, “The Flight to the Stratosphere”. She accepts a deal with the manager to be paid in rubles and as he tells her that “in our country, we love all kids”, the audience understands that she is going to stay in the Soviet Union with her family.

One cinematic scene in the film which is meant to show the divide between the young and old in Russia is when Ivan and Mary first meet and her corrupt agent, Kneishitz, spies on them through the window. The camera cuts between Kneishitz and Ivan so the audience notes the stark differences in their faces. Ivan is young, blonde, and strong-jawed while Kneishitz is unshaven, dark, and sinister. Through this portrayal of the young and old in the performance business, Alexandrov is making the point that we should look to the young people of Russia, as the next generation is our future and hope.

Why were people so much more accepting in the USSR, given our nationalist and ethnicity readings? What would have become of Marion and her child had she chosen to return to America?