O-90: Can the maternal bond be broken?

We, a dystopian novel written by Yevgeny Zamyatin in the 1920s, explores the trials and tribulations of a cipher, named D-503. D-503 tells the story through journal entries (known as ‘records’), which he intends to have sent up on the Integral, a spaceship being built and scheduled to launch in the near future.

Schedules appear to dominate the ciphers: they are assigned times to walk, have sex, appear in auditoriums. It seems that nothing is done without the instruction of a higher power. D-503 is engaged in a sexual relationship with 0-90, a female cipher.

At the beginning of the novel, O-90 appears to follow every rule required of her by the One State. She engages in sexual activity only when permitted and presents herself as a law abiding citizen. As the story unfolds, however, it becomes evident that O-90 struggles to squash her maternal extinct. After becoming pregnant, O-90 must come to terms with the idea that her baby must be given to the State to be raised once it’s born.

It seems strange that the One State would tear mother and child apart, or even that a mother would feel fully conscionable in giving up her newborn. O-90, herself, struggles with this reality, ultimately deciding to flee the One State and live beyond the Green Wall.

O-90, however, is just one woman with one baby. How did the One State convince women to give up their children? Was the indoctrination so deep that these women believed it to be acceptable? Did they perhaps just see it as the only option in a world so completely transparent?

Capitalism and its critics

  1. The Legacy of Robert Owen to the Population of the World – Robert Owen (1834)
    1. Author
      1. Robert Owen (1771-1858)
      2. English cotton manufacturer
      3. “Utopian” socialist
      4. Advocated for universal education for children and workers’ rights
    2.  Context
      1. Owen is addressing members of the Grand National Consolidated Trades Union of Great Britain and Ireland
      2. Written during a time of rebellion
    3. Language
      1. Negative and outraged at the foundations of society.
    4. Audience
      1. For people in rebellion of the unjust system put in place.
    5. Intent
      1. To have people ignore the system and the ideas it puts in individuals. Advocate the value of man and producers of wealth.
    6. Message
      1. Society creates evil and prevents the good that man is evidently destined for.
  2. The Incoherence and Disorder of Industry- Comte de Saint-Simon
    1. Author:
      1. Claude Henri de Rouvroy – Comte de Saint-Simon
      2. European observer of early industrialization
    2. Context
      1. Written during the French Revolution for people of the Third Estate.
    3. Language
      1. Positive and persuasive writing.
    4. Audience
      1. His fellow commoners of the third estate.
    5. Intent
      1. Change the economic system that is intended on destroying your enemies to gain wealth, happiness and glory.
    6. Message
      1. The system needs to be changed to address the needs of the commoners.
  3. Estranged Labour – Karl Marx (1844)
    1. Author
      1. Karl Marx
      2. German philosopher and revolutionary socialist
      3. Created Marxism
    2.  Context
      1. Marx set out to develop a theory of Socialism grounded in a better understanding of both economics and philosophy.
      2. Analyzes labor industry and how its cycle affects workers.
    3. Language
      1. Positive and assertive, using economic facts and to assert his ideas.
    4. Audience
      1. Meant for intellectuals and people that are in the workforce.
      2. The commoner and the proletariat
    5. Intent
      1. To demonstrate alienation as the idea that human beings can become out of sync with the world they live in arguing that alienation arises from the way human beings regard their own labor.
    6. Message
      1. The products don’t belong to the worker. The more the worker produces, the less the worker has.

 

We

In the book We written by Yevgeny Zamyatin, the characters lack names similar to those within our society and instead are called ciphers and labeled with a letter and number. The main character D-503, a mathematician, struggles throughout the book with his understanding of the One State society and what exists outside of the Green Wall. The One State society promotes a “mathematically perfect life” devoid of imagination or individuality. D-503 meets I-330 early on in record two, a woman who’s very physical appearance with her extremely white teeth defy the principle of uniformity within the State.

I-330 is important in the development of D-503 as a character and his evolving relation to One State policies and society. I-330 challenges D-503’s conception of life and happiness as a mathematical equation. In the beginning I-330 plays Ancient songs on the piano rather than the industrial music of the One State. Unlike his comrades, D-503 finds himself enjoying the music rather than laughing at it. In relation to I-330’s effect on D-503, Zamaytin frequently mentions her while describing the sun. The sun has two forms, one in which it exists in the One State in a “pale-bluish-crystalline” state and one in which it is “burning” and “shedding itself in little tufts.” The former represents the control of the One State over all aspects of society and it’s extension of control over nature’s interaction with the State within the Green Wall. The latter represents the uncontrolled wild, which exists outside of the One State and defies the State’s scientific and authoritarian control.

I-330’s impact on D-503 continues in her introduction of D-503 to alcohol and tobacco, both of which are banned by the One State because it is considered to be poison. After drinking D-503 finds himself torn between two identities the one he has created under the One State, that of the scientific mathematician living harmoniously under the state ideology and rules. The second identity released by the alcohol is one of a wild and emotional being characterized by “shaggy paws” which has climbed out of the “shell” created by the One State. D-503’s “shaggy paws” are a physical representation of his inherent originality, which is hidden beneath the self created by the indoctrination of the One State. I-330’s flagrant violations of One State policy and D-503’s awakening to his own individualism represent a threat to the survival of the collective and therefore a threat to the Guardians and Benefactor controlling the State. In this way Zamaytin is commenting on the threat of individuality and deviation from the imposed ideology as the internal enemy of the Soviet Union and it’s existence.

Critiques of Capitalism

“The Incoherence and Disorder of Industry”:

Author: Claude Henri de Rouvroy, comte de Saint-Simon (1760-1825) a French political and economic theorist that became a strong advocator of changing the free trade “laissez-faire” system of political economy, to a more individualized approach; focusing on the poor. His writings impacted generations of French theorist.

Context: Claude is writing during the French Revolution, as apart of the rebellious Third Estate. Tired of seeing what he calls an imperfect industry thrive, seeing several fortunate individuals triumph over the many, he advocated for a change in the political system that addressed more the needs of his fellow commoner; the third estate.

Language: His persuasive attitude towards changing the already “stable” system is very present in this reading. He calls laissez-faire, the inevitable solution that economist of that day schemed their personal interests with, instead of the needs of the individual.

Audience:  This piece is directed towards the fellow poor commoner that Claude eventually became after spending his self earned money on his various publications.

Intent: To alter the economic system in place that tends to benefit the rich, rather than the poor. To focus the needs on this system to the individual, and refocus the system on ideals of science.

Message: The free trade system needs to be abolished so that new ideals can be the catalysts for change towards a new system that benefits/addresses the needs of the poor.

“The Legacy of Robert Owen”:

Author: Robert Owen (1771-1858) was an organizer of cooperatives in England. As an advocator for universal education and workers rights he argues that nations are built upon a deceptive system.

Context: Owen is writing during a time of rebellion, in which these unions and cooperatives greatly impacted various minds during the revolution.

Language: Owen uses a tone of disgust with the population of Great Britain, which he believes is full of injustices that opposes real well being and true interests of every individual.

Audience: His message is mainly for people against the morals of an unjust system. He advocates for Consolidated Unions, and that his stance will not go unheard.

Intent: To not allow the ignorant to deprive you, the individual, of your well-being, happiness, and life. Promoting the value of men of industry, and producers of wealth and knowledge.

Message: The system that nations are built upon are in essence deceptive and/or ignorant. These systems can do no good to man, but only continuously produce evil.

“Economic and Philosophical Manuscripts of 1844 – Estranged Labor”:

Author: Karl Marx, a revolutionary specialist, the founder of Marxism. His work laid the foundation for understanding capital and labour relations.

Context: Marx elaborates on the vicious cycle that affects workers, and how they become commodities after a grueling production process.

Language: Marx presents facts, rather than opinion, and uses economic rational to establish grounds for a society that leans toward bettering conditions for the proletariat.

Audience: The average commoner and proletariat worker in the workforce.

Intent: To elaborate on the power that capitalist nature has on the average proletariat worker.

Message: The worker becomes all the poorer the more wealth he produces, the more his production increases in power and size.

Early Socialist Thinkers: Owen, Saint-Simon, and Marx

1.) “The Legacy of Robert Owen to the Population of the World”

Author: Robert Owen. Welsh cotton manufacturer. Utopian socialist and a founder of the cooperative movement. Founder of (failed) New Harmony colony in the U.S. Had a vision of an ideal society.

Context: Great Britain, 1844. Industrial Revolution. Many of the Factory Acts were in place, including many that regulated child labor.

Language: Persuasive, confident, hopeful

Audience: The Grand National Consolidated Trades Union of Great Britain and Ireland

Intent: To persuade listeners to begin a bloodless revolution driven by morality and wisdom.

Message: A complete reworking of society was necessary. “Men of industry” should unite to begin the bloodless revolution that will lead to a new and improved state of human existence.

Why?: Many factory owners during the Industrial Revolution abused their workers with long hours, unsafe conditions, and low wages. Owen ran his factories more benevolently and saw a utopic vision in which all of society was based on moral correctness and wisdom.

2.) “The Incoherence and Disorder of Society”

Author: Claude Henri de Rouvroy, comte de Saint-Simon. French political and economic theorist. Businessman. Believed in a meritocracy. Fought in the American Revolution. Supporter of French Revolution and imprisoned during the Reign of Terror.

Context: Saint-Simon lived in France under Napoleon and during the Bourbon Restoration (constitutional monarchy). Frequent occurrences of civil unrest.

Language: Passionate, sarcastic at times, easy to read

Audience: The industrial class–everyone engaged in productive work.

Intent: Disprove the principle behind laissez-faire economics. Advocate for a meritocracy.

Message: Industry needed to address the needs of the industrial class. Economics cannot be focused merely on statistics; society needs to take care of people and their needs.

Why?: Saint-Simon fought in the American Revolution, and his time in America likely exposed him to a society with fewer class distinctions than the one in which he lived. He also supported the French Revolution’s principles of equality, liberty, and fraternity, and his own work argues in favor of these principles as well. The Bourbon Restoration provided a more conservative government to France, and Saint-Simon may have reacted against his government’s conservative attitudes.

3.) “Estranged Labor” from Economic and Philosophical Manuscripts of 1844

Author: Karl Marx. German philosopher, economist, and socialist. Moved to Paris in 1843. Prolific Writer. Father of Marxism.

Context: Marx lived in France during the July Monarchy, which was a time of liberal constitutional monarchy. Paris was the de facto headquarters for revolutionaries from all over Europe.

Language: Challenging to follow, very convoluted arguments, passionate tone

Audience: The intended audience (workers; the common man) likely differs from the audience who would be capable of actually comprehending Marx’s argument (academics and philosophers).

Intent: Turn society against capitalism.

Message: Capitalism hurts the laboring class because the more wealth a worker produces, the poorer he becomes. He is alienated from his product and estranged from himself. Society is divided into these propertyless workers and the owners of that property.

Why?: Other economic thinkers of the time, such as Ludwig Feuerbach influenced Marx, and he lived in Paris at a time when revolutionary minds filled the city. The July Monarchy followed the more conservative Bourbon Restoration, bringing a more liberal view into focus. Marx met many people who shared his views, and his views fermented and strengthened in this atmosphere.

 

 

We

The book We was written by Yevgeny Zamyatin in 1921 in early Soviet Russia. Zamyatin became a Bolshevik in the early 1900’s, working with the Bolsheviks throughout the years leading up to the October Revolution and being exiled multiple times by the Russian government. Zamyatin was an Old Bolshevik and he truly believed that Russian society had to change, so he supported the October Revolution and was present in St. Petersburg when it took place. However, in the years following the October Revolution, the Communist Party began to become more oppressive, primarily regarding censorship. Zamyatin was an author, he’d been writing consistently for about ten years by 1921, and he became very critical of the Soviet Party as they became more oppressive and began to censor more works.

We was written during the post-Revolution period of increasing censorship and it was a blatant criticism of the society that the Soviet Party was looking to create. In We, Zamyatin creates a dystopian society to represent how far from the original revolutionary ideals the Soviet Party has gone. The society that he creates is ruled by a government called the “One State”, a government that micromanages the lives of every citizen. Zamyatin writes We in a way that makes the reader think that the Soviet Party will eventually make Russia like One State and attempt to control everything that they do. He uses language in the book that is very similar to the propaganda used by the Soviet Party during that time period and he uses analogies that the reader would easily associate with the Soviet Party.

Zamyatin was a very brave individual. We was censored by the Soviet government before he could publish it in Russia, but he made sure that the manuscript made the journey to America where it was published in 1924. Eventually, his open criticisms of the Soviet Party would get him exiled from Russia, but before that time he did everything that he could to protest the absolutism that Russia was headed towards.

Women as anti-Rationality in Zamyatin’s “We”

In Yevgeny Zamyatin’s “We,” the protagonist D-503 introduces himself as a strong supporter of the State’s ideals of rationality and un-freedom. He proudly reiterates State mantras such as “nobody is ‘one’ but ‘one of'” (7) and believes wholeheartedly that the problem of happiness has been solved through absolute, precise reason. He willingly carries out predetermined practices such as filling out a pink slip for every time he wants to have sex with O-90 and “shares” her with his best friend, yet shows no signs of emotions such as jealousy or rage at this arrangement, mainly because he identifies with the norms of his community. This is evident in D-503 claims in his second entry that he “cannot imagine a city that is not clad in a Green Wall; I cannot imagine a life that is not regulated by the figures of our Table” (10). However, once D-503 meets I-330, a woman whose views and behavior stand in opposition to the State’s mandates and ideology, his life is never the same. The role of women in “We” symbolize a force of opposition, driving D-503 further away from ideals of rationality that are enforced by the State.

1-330 is an obvious character that influences D-503’s ‘corruption’ and distancing from State ideology. Her behavior is illegal – she openly flirts with D-503 (and goes as far as to seduce him in the Ancient House), smokes cigarettes and drinks. She challenges D-503 to report her to the Guardians (secret police) for her behavior, and when D-503 does not report her, he immediately becomes a criminal. I-330 eventually introduces him to the group of humans who live beyond the wall and familiarizes him with her fellow revolutionaries. O-9, although not as adamantly opposed to the regime as 1-330 is, also directs D-503 away from rationality. When she brings him a spray of lilies of the valley, D-503 is visibly upset and berates her for not following logic. O-9 is oppressed by the State – because she does not fulfill the State mandated Maternal Requirements and is thus not allowed to have children. Her function in society is to be a sexual commodity and this status brings her pain. When she convinces D-503 to impregnate her, she brings him further away from rationality. Just as 1-330 influences D-503 to be a criminal by not reporting her, O-9 influences D-503 to be a criminal once more by refusing to give up her child.

What is Zamyatin trying to communicate by placing these women characters at odds with State rational ideology? If “We” can be read as a critique of Soviet society in the 1920s, then the women’s roles as anti-rational and emotional forces show that suppressing these elements of human kind would be detrimental to society. This potential threat to a utopian society can be interpreted as a critique of the new Soviet identity that was developing in the 1920s.

WE

The book, WE, by Yevgeny Zamyatin, was about a Mathmatician who fell in love with a Women in a state which had no freedoms and life was bounded by working for the collective.  In the book, people wore the same clothes, marched the same way, given similar names(D-503) and were expected to work at maximum strength.

This book struck me in several ways. The setting struck me in that it reminded me of the early years of the Soviet Union where the state had promoted the goal of working for a common goal: a state rid of exploitation and class division. This state promoted a sense of sameness where no one would deviate away from the collective.  Anyone who would did deviate from these ideals would be seen as an enemy of the state.  In the book, We, D-503 meets a woman named I-330, who doesn’t believe in the rules of the system.  In Record Six, she stated that “to be original means to somehow stand out from others.  Consequently, being original is to violate equality…” ((Yevgeny Zamyatin. We. Translated by Natasha Randall. New York: Modern Library, 2006, 27))  This struck me because in the Soviet Union, everyone worked for the collective.  Everyone worked hard to accomplish goals as one.  No one was able to create or accomplish things no their own.  As I-330 puts it, the very fabric of originality would violate the very ideals of equality both in the book and in the Soviet Union.

In a way, this book paints a picture of how life in the Soviet Union following the Revolutions of 1917 and the Civil War were supposed to be.  The Communist party strove for a society  where individuals like I-330 were harmful to society and the people would work collectively to help push the state forward.

 

 

Commissars: Senior Leaders

Dmitry Furmanov was a Russian writer who would become a commissar for the Bolsheviks in the Russian Civil War.  A commissar was a position in the Bolshevik movement that encompassed multiple appendant bodies of representation (military, political, etc) but all represented the same organization: Communist idealism.  It was the job of the commissariat to ensure that the party interests were being realized on day to day operations in all of their respective fields of work.  For example, a commissar attached to a Bolshevik military battalion had the duty and obligation of working not only to recruit more to the cause, but also to ensure that the communist vision is realized by executing and planning phases of actions against the enemy.  Whereas a commissar that represents the people would focus more on the morale and unity of the people on the home front.  These individuals represented the senior leadership of the Bolsheviks and ultimately had a say over the policy, management, and development of the communist movement.

Furmanov’s particular commissar job led him to envelop a novel about arguably the most renown and famous hero of the civil war: Vasily Chapeav.  Chapeav was a soldier of the Bolsheviks who was elected by his fellow soldiers to command their unit against the White Army.  Later in the Civil War, Chapeav demonstrated himself as a confident and competent leader up until his last battle in which he and his unit were ambushed by White Forces.  In his death, Chapeav exemplified the veracious spirit of the Bolshevik effort and went down in history as a hero of the Civil War and was immortalized throughout the future soviet military existence.

Mass Culture in Soviet Russia

Art and culture seems to have been parallel with the greatest of the political philosophy Russia was seeing at the time. Russia had already begun to emerge a little bit on the international stage, but not enough. These artists wanted to explode this emergence and make the Russian art known throughout the world. This puts an emphasis on each individual in their part of the whole. Revolutionaries wanted to remake the world and believed that they could this new world into one in which things are unified. The poems “We Grow out of Iron”, “The War of Kings”, “The Iron Messiah”, and “We” all abound with metal imagery. This can be interpreted as symbolic of the development (or creation) of the new communist man. The symbolism of “Soviet metal” explores both the political and artistic revolutions that were taking place, as well as their common sentiment and objective of unification. The imagery of metal gives the reader a sense of how much the mass industrialization taking place at the time influenced the attitude of hope and power felt by both artistic and political revolutionaries. The workers were the revolutionaries; they were hardened (or “steeled”) to the heavy metal and machinery of their trades, and unified via this harsh labor. Aleksei Gastev in fact, author of “We Grow Out of Iron”, worked in Russian and European factories and his experiences as a laborer steered him toward Marxism. Revolution for Gastev endeavored to enable workers by sanctioning them power over day-to-day work related practices. Gastev was also involved in the efforts of the Petersburg Union of Metal Workers. His poetry powerfully exults in industrialization; declaring it an era of an innovative form of man, qualified by the total modernization of his routine existence as a laborer.