We by Yevgeny Zamyatin is a complex and revolutionary novel of Science fiction. D-503 is a mathematician living in the One State, journaling his daily life in order for future generations to learn about his society once the journal is put on the Integral (the spaceship D-503 is building). As a mathematician D-503 experiences the world in equations, from describing pleasing aesthetics to eventually emotions such as love with math (L=f(D): love is a function of death).… Read the rest here
Tag Archives: Science Fiction
The Awakening of the Soul in Society
Yevgeny Zamyatin’s science fiction dystopian novel, We, tells the story of the character D-503 in his futuristic world, the One State, where everyone runs on the same clock, where one needs permission to close the blinds in their otherwise glass rooms, where there is one God-like ruler, the Benefactor, who ironically is “elected” every year without competition. D-503’s life as an engineer and mathematician is perfectly controlled and rational, as this regime believes true happiness comes with total control and that individual freedom brings forth chaos, until the disruptive force of love and emotions compel his world upside down.… Read the rest here
“Things to Come” and the Quest for “Progress”
Things to Come is a seminal science fiction film released in 1936 that depicts a future of apocalyptic warfare that causes a zombifying plague called “the Wandering Sickness,” ultimately reducing Europe to its primordial stages of civilizational development. Throughout the film, science and “progress” in general are polarizing topics amongst all levels of society from the common people to the highest governmental officials. Some view scientists as “the last trustees of civilization,” while other characters embody the apprehension towards scientific research has been represented in countless other films and writings of the interwar period such as Metropolis, The Cabinet of Dr.… Read the rest here
“The Mediator Between Head & Hands”
Fritz Lang’s Metropolis is a 1927 German science fiction film displaying the heavy influence of the impressionist movement. The film portrays a dystopian future society (the eponymous “Metropolis”) in which the laborers that maintain the mechanical operations of the city are relegated to an underground living space while the upper classes enjoy a comparative utopia above. The city’s leader, Joh Fredersen, attempts to augment his power by using the newly invented Machine-Man, who is made to look like the prophetic character Maria, to incite a rebellion in the working class which will simultaneously cripple their underworld home and justify any further punitive measures that he wishes to take against the laborers. … Read the rest here