Andrew Becker: Accents, Rhythms, Meters, Poems

update: 3/28/13: audio of part 2 of the workshop, on Latin hexameters, is now posted below.

Andrew Becker came to Dickinson for a full day workshop on Latin metrics this weekend, and it was a delight. His presentation was overflowing with the love of poetry, deep knowledge of the Latin grammarians, and best of all, lots of common sense in what is too often a contentious and captious area of scholarship.

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Here’s a little taste, a section near the beginning where he argues for scanning lines orally, not on the page, and for the idea that word accent is primary, but that ictus still makes itself felt as an undercurrent. Scanning, i.e. reading aloud with an exaggerated ictus, is not wrong, he said, but just a preliminary step towards the actual performance of the verse, with the correct word accents.

Andrew Becker on scanning (1:50)

Here is a longer selection from the first session on scanning vs. reading, among other things. I’ll post more as I get it edited.

Andy Becker part 1.edited (15:40)

Here is an edited selection of part two of the workshop, which deals with scanning and reading hexameters, and the interplay of ictus and accent in some Vergilian lines (19:15):

Andy Becker part 2edited (19:15)

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Vocabulary Dots

I am running all of my ongoing intermediate Latin and Greek classes on the basis of sight reading, rather than the traditional prepared translation method, and using elements of the flipped class concept with video content made with the ShowMe app. The concept is described in an APA paper I gave this year, and some of the nuts and bolts of the system, such as it is, are described in an earlier post. So how is it going, you ask? I’m doing a lot of grading (and avoiding it right now), but I am just thrilled at the change in the classroom dynamics and ethos.

Probably the best day was the day we worked on the basics of Latin scansion and metrics in the Catullus class (4th semester). They watched my little videos about the basics, material I used to do as lecture, but is now available in video form. Then in class we scanned Catullus 1 together: after the briefest of reviews (2 mins. at most) I let them loose on a big photocopy of Cat. 1 with lots of space between the lines, and off they went in pairs. A few had fully absorbed the difference between a long vowel and a long syllable, the concept of elision, and so forth, but many had not. I was able to hover around and give tips and little mini explanations using the examples at hand in a way that had everybody on the boat by the end of 30 minutes. I then projected the poem on to the blackboard and scanned it with them, just to check that everybody had it right. Class over, skill acquired, one hour, and they seemed to actually enjoy it. This is something I never was able to teach properly, and burned hours of class time tying futilely to explain in the abstract. This is a perfect application to Latin of the flipped class concept, lecture material outside of class, project-based collaboration inside. Bingo.

When it come to translation, things are a bit more complicated. I’m relying on them to absorb a vocabulary list for the day’s passage, then we translate together. Sometimes I call on individuals, sometimes I ask for volunteers. This is actually working quite well for the most part. The level of attention and focus on endings and word order is completely new, a total change from what we are all familiar with in the traditional method, where endings are seen as an annoying afterthought, word order as a kind of puzzle, Latin as mixed-up English. We go through word by word first, analyzing the endings (this often leads to mini-reviews on the board of, say, the reflexive pronoun). A second pass yields more or less decent English. We tend to re-translate the passage the next day as review, something necessary when sight-reading in my view.

The rub comes when they say “I don’t know what that word means,” though they were supposed to have learned the list the night before. Not that this is a crippling problem so far, but it brings up the perennial quandary of how to get students to efficiently absorb vocabulary.

My new inspiration for vocabulary work (this being in place of the usually unsuccessful attempt to translate at home, which is characteristic of the traditional method), is something I call vocabulary dots. Given a list of 20-30 lemmas, students choose three activities that simultaneously get them to use the words on the list and help them gain active command of key grammatical structures we will see in the texts themselves. Here are the dots. Let me know if you have any thoughts or comments! I have nicer formatting, with little sphinx emblems (these are the “dots,” but it’s not coming through in WordPress. The not terribly logical term “dots,” by the way, has caught right on, and all the students use it as an easy shorthand for loathsome term “activities,” which I suppose is more accurate. In the syllabus I just say “vocab. dots for Catullus 5 and 6” and they get the picture.

Latin Vocabulary Activities

For a new list of words, choose three activities. They should take about twenty minutes each.

I’d Have To Agree:Create fifteen noun-adjective pairs (e.g. manūs dextrae, right hands, fem. nom. pl.). Use all numbers, cases, and genders once. Translate the resulting combinations. MiniSynopsis:Pick 6 verbs and give either a) all 6 tenses of the indicative in one person and number, b) all 4 tenses of the subjunctive in one person and number, c) all four participles, or d) all five infinitives. Make sure to use all options at least once, and a mix of active and passive voice. If there are fewer than six verbs, re-use. Absolutely Ablative:Create ten ablative absolutes (including participle and noun), using a combination of as many words as possible. Make five passive and five active, and translate the results.
The Word Next Door:Write out 15 words with an etymologically related Latin word in the dictionary. Give full dictionary form and short definitions for each. E.g.: manus -ūs f. hand, band; manualis -e (adj.) for the hand. Meet the Relatives:Write five short sentences using the given vocabulary words, including a relative clause in each. Make sure the relative pronoun is in the right gender, number, and case. Use five different combinations of gender, number, and case. Translate the results.  Acting Up: Write five short sentences including transitive verbs in the active voice, with a direct object. Reverse them so that the verb is passive, and the direct object the new subject. Make sure to change the endings accordingly, and translate both versions. 

Greek Vocabulary Activities

For a new list of words, choose three activities. They should take about twenty minutes each.

I’d Have To Agree:Create five article-adjective-noun sets (e.g. τοῖς καλοῖς ἀνδράσι, for the handsome men, m. pl. dat.). Use as many different words as possible, and different combinations of number, case, and gender each time. Translate the resulting combinations. 

 

MiniSynopsis:Pick six verbs and give one conjugated form for each principal part listed in Pharr’s lexicon. Use all combinations of person and number once. Daring Do: Create five combinations of participle and finite verb (e.g.  εἰπών ἕζετο, “having spoken he sat down”). Use as many different verbs as possible. Use a variety of tenses, genders, and numbers, and make sure that the participle (which will always be in the nominative) agrees with the verb in number. 

 

 

The Word Next Door: write out 15 words words with an etymologically related Greek word in the dictionary. Give full dictionary form and short definitions for each. E.g.: ἥλιος -ου, ὁ sun; ἡλιόομαι be exposed to the sun). You may want to use LSJ for this. Make sure the words are in fact etymologically related, and not just spelled similarly  Meet the Relatives: write five short sentences using the given vocabulary words, including a relative clause in each. Make sure the relative pronoun is in the right gender, number, and case. Use five different combinations of gender, number, and case. Translate the results. In That Case:Take ten nouns, pair them with ten different prepositions, and translate the result. Make sure that the noun is in an appropriate case for that preposition, and if the preposition can take more than one case make sure it is translated according to the case you use.

–Chris Francese

Greek Core Vocabulary: A Sight Reading Approach

http://www.flickr.com/photos/crystiancruz/3235797556/in/photostream/

Crytian Cruz, via Flickr (http://bit.ly/13HaBAU)

(This is a slightly revised version of a talk given by Chris Francese on January 4, 2013 at the American Philological Association Meeting, at the panel “New Adventures in Greek Pedagogy,” organized by Willie Major.)

Not long ago, in the process of making some websites of reading texts with commentary on classical authors, I became interested in high-frequency vocabulary for ancient Greek. The idea was straightforward: define a core list of high frequency words that would not be glossed in running vocabulary lists to accompany texts designed for fluid reading. I was fortunate to be given a set of frequency data from the TLG by Maria Pantelia, with the sample restricted to authors up to AD 200, in order to avoid distortions introduced church fathers and Byzantine texts. So I thought I had it made. But I soon found myself in a quicksand, slowly drowning in a morass infested with hidden, nasty predators, until Willie Major threw me a rope, first via his published work on this subject, and then with his collaboration in creating what is now a finished core list of around 500 words, available free online. I want to thank Willie for his generosity, his collegiality, his dedication, and for including me on this panel. I also received very generous help, data infusions, and advice on our core list from Helma Dik at the University of Chicago, for which I am most grateful.

What our websites offer that is new, I believe, is the combination of a statistically-based yet lovingly hand-crafted core vocabulary, along with handmade glosses for non-core words. The idea is to facilitate smooth reading for non-specialist readers at any level, in the tradition of the Bryn Mawr Commentaries, but with media—sound recordings, images, etc. Bells and whistles aside, however, how do you get students to actually absorb and master the core list? Rachel Clark has published an interesting paper on this problem at the introductory level of ancient Greek that I commend to you. There is also of course a large literature on vocabulary acquisition in modern languages, which I am going to ignore completely. This paper is more in the way of an interim report from the field about what my colleague Meghan Reedy and I have been doing at Dickinson to integrate core vocabulary with a regime based on sight reading and comprehension, as opposed to the traditional prepared translation method. Consider this a provisional attempt to think through a pedagogy to go with the websites. I should also mention that we make no great claim to originality, and have taken inspiration from some late nineteenth century teachers who used sight reading, in particular Edwin Post.

In the course of some mandated assessment activities it became clear that the traditional prepared translation method was not yielding students who could pick their way through a new chunk of Greek with sufficient vocabulary help, which is our ultimate goal. With this learning goal in mind we tried to back-design a system that would yield the desired result, and have developed a new routine based around the twin ideas of core vocabulary and sight reading. Students are held responsible for the core list, and they read and are tested at sight, with the stipulation that non-core words will be glossed. I have no statistics to prove that our current regime is superior to the old way, but I do know it has changed substantially the dynamics of our intermediate classes, I believe for the better.
Students’ class preparation consists of a mix of vocabulary memorization for passages to be read at sight in class the next day, and comprehension/grammar worksheets on other passages (ones not normally dealt with in class). Class itself consists mainly of sight translation, and review and discussion of previously read passages, with grammar review as needed. Testing consists of sight passages with comprehension and grammar questions (like the worksheets), and vocabulary quizzes. Written assignments focus on textual analysis as well as literal and polished literary translation.

The concept (not always executed with 100% effectiveness, I hasten to add) is that for homework students focus on relatively straightforward tasks they can successfully complete (the vocabulary preparation and the worksheets). This preserves class time for the much more difficult and higher-order task of translation, where they need to be able to collaborate with each other, and where we’re there to help them—point out word groups and head off various types of frustration. It’s a version, in other words, of the flipped classroom approach, a model of instruction associated with math and science, where students watch recorded lectures for homework and complete their assignments, labs, and tests in class. More complex, higher-order tasks are completed in class, more routine, more passive ones, outside.

There are many possible variations of this idea, but the central selling point for me is that it changes the set of implicit bargains and imperatives that underlie ancient language instruction, at least as we were practicing it. Consider first vocabulary: in the old regime we said essentially: “know for the short-term every word in each text we read. I will ask you anything.” In the new regime we say, “know for the long-term the most important words. The rest will be glossed.” When it comes to reading, we used to say or imply, “understand for the test every nuance of the texts we covered in class. I will ask you any detail.” In the new system we say, “learn the skills to read any new text you come across. I will ask for the main points only, and give you clues.” What about morphology? The stated message was, “You should know all your declensions and conjugations.” The unspoken corollary was “But if you can translate the prepared passage without all that you will still pass.” With the new method, the daily lived reality is, “If you don’t know what endings mean you will be completely in the dark as to how these words are related.” When it comes to grammar and syntax, the old routine assumed they should know all the major constructions as abstract principles, but with the tacit understanding that this is not really likely to be possible at the intermediate level. The new method says, “practice recognizing and identifying the most common grammatical patterns that actually occur in the readings. Unusual things will be glossed.” More broadly, the underlying incentives of our usual testing routines was always, “Learn and English translation of assigned texts and you’ll be in pretty good shape.” This has now changed to: “know core vocabulary and common grammar cold and you’ll be in pretty good shape.”

Now, every system has its pros and cons. The cons here might be a) that students don’t spend quite as much time reading the dictionary as before, so their vocabulary knowledge is not as broad or deep as it should be; b) that the level of attention to specific texts is not as high as in the traditional method; and c) that not as much material can be covered when class work done at sight. The first of these (not enough dictionary time) is a real problem in my view that makes this method not really suitable at the upper levels. At the intermediate level the kind of close reading that we classicists value so much can be accomplished through repeated exposure in class to texts initially encountered at sight, and through written assignments and analytical papers. The problem of coverage is alleviated somewhat by the fact that students encounter as much or more in the original language than before, thanks to the comprehension worksheets, which cover a whole separate set of material.

On the pro side, the students seem to like it. Certainly their relationship to grammar is transformed. They suddenly become rather curious about grammatical structures that will help them figure out what the heck is going on. With the comprehension worksheets the assumption is that the text makes some kind of sense, rather than what used to be the default assumption, that it’s Greek, so it’s not really supposed to make that much sense anyway. While the students are still mastering the core vocabulary, one can divide the vocabulary of a passage into core and non-core items, holding the students responsible only for core items. Students obviously like this kind of triage, since it helps them focus their effort in a way they acknowledge and accept as rational. The key advantage to a statistically based core list in my view is really a rhetorical one. In helps generate buy-in. The problem is that we don’t read enough to really master the core contextually in the third semester. Coordinating the core with what happens to occur in the passages we happen to read is the chief difficulty of this method. I would argue, however, that even if you can’t teach them the whole core contextually, the effort to do so crucially changes the student’s attitude to vocabulary acquisition, from “how can I possibly ever learn this vast quantity of ridiculous words?” to “Ok, some of these are more important than others, and I have a realistic numerical goal to achieve.” The core is a possible dream, something that cannot always be said of the learning goals implicit in the traditional prepared translation method at the intermediate level.

The question of how technology can make all this work better is an interesting one. Prof. Major recently published an important article in CO that addresses this issue. In my view we need a vocabulary app that focuses on the DCC core, and I want to try to develop that. We need a video Greek grammar along the lines of Khan Academy that will allow students to absorb complex grammatical concepts by repeated viewings at home, with many, many examples, annotated with chalk and talk by a competent instructor. And we need more texts that are equipped with handmade vocabulary lists that exclude core items, both to facilitate reading and to preserve the incentive to master the core. And this is where our project hopes to make a contribution. Thank you very much, and I look forward to the discussion period.

–Chris Francese

HANDOUT:

Greek Core Vocabulary Acquisition: A Sight Reading Approach

American Philological Association, Seattle, WA

Friday January 4, 2013

Panel: New Adventures in Greek Pedagogy

Christopher Francese, Professor of Classical Studies, Dickinson College francese@dickinson.edu

References

Dickinson College Commentaries: http://dcc.dickinson.edu/

Latin and Greek texts for reading, with explanatory notes, vocabulary, and graphic, video, and audio elements. Greek texts forthcoming: Callimachus, Aetia (ed. Susan Stephens); Lucian, True History (ed. Stephen Nimis and Evan Hayes).

DCC Core Ancient Greek Vocabulary http://dcc.dickinson.edu/vocab/greek-alphabetical

About 500 of the most common words in ancient Greek, the lemmas that generate approximately 65% of the word forms in a typical Greek text. Created in the summer of 2012 by Christopher Francese and collaborators, using two sets of data:  1. A subset of the comprehensive Thesaurus Linguae Graecae database, including all texts in the database up to AD 200, a total of 20.003 million words (of which the period AD 100–200 accounts for 10.235 million). 2. The corpus of Greek authors at Perseus Chicago, which at the time our list was developed was approximately 5 million words.

Rachel Clark, “The 80% Rule: Greek Vocabulary in Popular Textbooks,” Teaching Classical Languages 1.1 (2009), 67–108.

Wilfred E. Major, “Teaching and Testing Classical Greek in a Digital World,” Classical Outlook 89.2 (2012), 36–39.

Wilfred E. Major, “It’s Not the Size, It’s the Frequency: The Value of Using a Core Vocabulary in Beginning and Intermediate Greek”  CPL Online 4.1 (2008), 1–24. http://www.camws.org/cpl/cplonline/files/Majorcplonline.pdf

 

 

Read Iliad 1.266-291, then answer the following in English, giving the exact Greek that is the basis of your answer:

 

  1. (lines 266-273)  Who did Nestor fight against, and why did he go?

 

who                                                                                                                                  

why                                                                                                                                  

 

  1. (lines 274-279 ) Why should Achilles defer to Agamemnon, in Nestor’s view?

 

                                                                                                                                        

                                                                                                                                        

  1. (lines 280-284) What is the meaning and difference between κάρτερος and φέρτερος as Nestor explains it?

 

                                                                                                                                        

                                                                                                                                        

  1. (lines 285-291) What four things does Achilles want, according to Agamemnon?

                                                                                                                                        

                                                                                                                                        

Find five prepositional phrases, write them out and translate, noting the line number, and the case that each preposition takes.

1.                                                                                                                    

2.                                                                                                                    

3.                                                                                                                    

4.                                                                                                                    

5.                                                                                                                    

 

Find five verbs in the imperative mood, write them out and translate, noting the line number and tense of each.

1.                                                                                                                    

2.                                                                                                                    

3.                                                                                                                    

4.                                                                                                                    

5.