ΗΣΦ is the college honorary society for classical studies, and Dickinson is proud to be hosting their 90th annual this weekend. Here is the schedule!

Friday, March 23rd

5:00-7:00pm, Great Room, Allison Hall

Registration and Reception

Light refreshments will be provided before the formal program begins

7:00-9:00pm, Great Room, Allison Hall

Opening Remarks and Certamen

Saturday, March 24th

7:00-8:30am, Comfort Suites

Continental Breakfast

9:00-11:00am, Great Room, Allison Hall

First Business Meeting

Megas Prytanis Christopher Maze, presiding

Minutes of the 89th Annual Convention

Megale Grammateus Katlyn Yost

Reports

1. Chapter Reports
2. Report of Contests
3. Report of Scholarships
4. Report of Megas Chrysophylax
5. Report of Megale Hyparchos
6. Old Business
7. New Business
8. Bids to host the 92nd Annual Convention (2020)
9. Nominations for 2018-2019 National Officers

11:00-11:15am: Break

11:15am-12:30pm, Allison Hall Great Room

Presentation of Student Papers

John James, Eta Delta at Hillsdale College, “Emotional Evocation and the Psychology of Sign: Gorgias’ Response to Questions of Communication in Helen”

Sophia Decker, Tau at the University of Kentucky, “Dorians are Allowed to Speak Doric: Theocritus’ Idyll XV in the Context of Panhellenization”

Aaron Romanowski, Beta Psi at Rhodes College, ” The Use of the Cult of the Saints in the Milan Basilica Crisis of 385 CE ”

Katie Hillery, Eta Delta at Hillsdale College , “Developing an Eschatological Narrative: An Interpretation of Via Latina’s ‘Hercules Cycle’ through the Eyes of the Late Antique Roman Viewer”

12:30-1:30pm

Lunch, Dickinson College Cafeteria- Holland Union Building

Break-out Sessions (1:00-3:15)

1-2:30 pm, East College 111 (Classics Library)

Latin Declamation Contest

Session One

1:30-2:15pm, Ceramics Studio (Limit 20 Students)

Vase Painting

Rachel Eng, Assistant Professor of Art and Archaeology

In this workshop students will learn the different processes used in black and red figure pottery. We will look at examples of imagery from each style and learn how to apply the same techniques to clay forms.

1:30-2:15pm, Mumper Stuart Education Center, Weiss Basement

Classical Treasures at the Trout Gallery

From a chunk of the Parthenon to a denarius of Septimius Severus, The Trout Gallery has a treasure trove of classical objects. In this interactive program, learn about our well-documented pieces, and contribute to scholarship on some of our little-researched gems.

1:30-2:15pm, Allison Hall Community Room (basement)

Caesar and the Battle of Alesia, Diorama and Lecture

General John Bonin, Professor of Concepts and Doctrine,

US Army War College,

A history of the battle and its significance. Prof. Bonin will also construct a diorama, populated by his own hand-painted figurines, to illustrate the battle itself.

1:30-2:15pm, On-Campus Dig Site

Michael Sinclair, Keck Archaeology Lab

A demonstration of Dickinson’s Dig Simulator.

Session Two

2:30-3:15pm, Mumper Stuart Education Center, Weiss Basement

Classical Treasures at the Trout Gallery

From a chunk of the Parthenon to a denarius of Septimius Severus, The Trout Gallery has a treasure trove of classical objects. In this interactive program, learn about our well-documented pieces, and contribute to scholarship on some of our little-researched gems.

2:30-3:15pm, Allison Hall Community Room (basement)

Caesar and the Battle of Alesia, Diorama and Lecture

General John Bonin, Professor of Concepts and Doctrine,

US Army War College, will speak about the battle and its historical significance. He will also construct a diorama, populated by his own hand-painted figurines, to illustrate the battle itself.

2:30-3:15PM, Denny 112

Digital Maker Space

Prof. Francese, Senior Editor and Project Director of Dickinson Classical Commentaries, provides an introduction to digitial humanities at Dickinson. Dickinson students Ian White, Beth Eidam, Connor Ford, and Claire Jeantheau present their projects.

3:30-4:30pm, Allison Hall and East College

Committee Meetings

1. New Chapters (Denny 112)
2. Finance (Allison Hall Great Room)
3. Contest and Scholarships (East College 107)
4. Convention (East College 300)
5. Resolutions (East College 301)
6. Officers (East College 102)

5:30pm, Charles M. Kanev Planetarium

Mythology and the Stars

6:00pm, Charles M. Kanev Planetarium

Mythology and the Stars

7:00-9:00pm, Holland Union Building, Social Hall

Banquet

Awards Ceremony

Vir et femina vestiti optime

Certamen Award

Paper Award

Service Award

Latin Declamation Contest Winner

Lifetime Achievement Awards:

Hans-Friedrich Mueller

Judith P. Hallett

Sunday, March 25th

8:00-8:45am, Comfort Suites

Continental Breakfast

9:00am-12:00pm, Great Room, Allison Hall

Second Business Meeting,

Megas Prytanis Christopher Maze, presiding

1. Contest for Chapter Regalia
2. Committee Reports
3. Report of the Executive Secretary
4. Report of the Chair of the Board of Trustees
5. Election of 2020 Convention Site
6. Resolutions and Amendments
7. Election of 2018-19 National Officers
8. Installation of Officers

Closing Remarks

2017-18 winter break was quite productive! Dickinson students Eli Goings (’18), Beth Eidam (’19), and Carl Hamilton (’21) worked on Caesar’s Gallic War, specifically on the text notes and vocabulary for Book 1, Chapters 8–54. This will soon give us a complete edition of Book 1. They made vocabulary lists using the Bridge, edited and added links in the notes (which had been previously gathered and edited by Jo Anne Miller from older school editions), edited the text to make it conform to the OCT, and created pages for notes and vocabulary.

Dickinson students Natalie Ginez (’21), Claire Jeantheau (’21), and Luke Nicosia (’21) worked on Wells Hansen’s commentary on Lucretius, De Rerum Natura Book 3. They completed the Bridge lemmatization of Lucretius 3, added dictionary definitions based on Hansen’s notes, and created vocabulary lists. They re-formatted Hansen’s notes and created draft pages for the notes. They added scroll bars. They proofread the notes and vocabulary lists. A contest to see who could identify the most errors in the others’ work was one by Claire, the prize being dinner for two.

Many thanks to Eli, Beth, Carl, Natalie, Claire, and Luke for all your care and hard work!

One of the things I learned at the SCS meetings this past weekend is that it is important to echo and amplify on social media ideas and voices you find important. My favorite notion this year came from Gregory Crane, in a talk about  the Open Greek and Latin Project: classicists should see themselves less as professors, experts, and authorities, and more as enablers and servants of the community of readers of classical texts. 

Here is his list of the OGL’s goals in full:

• 2 or more editions for as much of Greek and Latin as possible
• CC licensing (CC-BY-SA)
• Smooth pathway from Images of text-bearing objects through an open-ended and evolving set of machine actionable annotations
• Based on evidence rather than authority
• Community driven
• Paid professionals as enablers and servants
• Multilingual emphasizing  global access and exchange

There is much in this list to discuss. A key piece of context is the imminent arrival of the new Perseus interface, the Scaife Digital Library Viewer, which is set to debut on the Ides of March. Those who attended the OGL pre-conference workshop, or the Ancient MakerSpace session by the developer James Tauber, got a live preview of this lovely new package for Perseus data and tools. Here is a screenshot, which, it should be noted, is a work in progress.

Pre-release draft of the new Scaife Viewer for Perseus 5.0

Notice the CTS URN in the upper right hand corner, a key piece of infrastructure. Note also the “Log in”: users will be able to contribute much more directly than is now the case. When individual words are highlighted the url will change, allowing a unique identifier that can be used as a stable peg to hang annotations on. Very exciting. The new Greek Word Study Tool will have several new features, including the ability to provide improvements and  “contribute to open philology” through things like treebanking and commenting on texts.

Greek word study tool feature list

Crane’s presentation was part of the annual Digital Classics Association panel, which is always exciting, and this year was no exception. Sam Huskey gave an update on the Digital Latin Library, and tools he is helping develop that will partly automate the creation of TEI-XML encoding for apparatus criticus of Latin editions. The scholar creates a spreadsheet of variants attributed to certain witnesses, and a nifty Python script creates the appropriately tagged XML. This will get you only part way, of course. At certain junctures scholarly judgment has to intervene in the constitution of a text. The brilliance of this new tool is that it actually makes clear what is rote reporting of variants and what is actual scholarly intervention. It clearly and unambiguously marks out the intellectual labor that goes into the creation of a critical apparatus, something that every dean and tenure committee can use to give scholars appropriate credit. 

Peter Heslin gave a fascinating paper arguing, in apparent contradiction to Huskey, that TEI-XML is not the best way of encoding critical apparatus. Rather, we should be using as a model the version control of Github, which simply stores different versions of a document in parallel, until the user wants to know what the differences are between them. He pointed out that a traditional apparatus is a rhetorical device for supporting a single version of the text, but is quite unhelpful if you want to know how similar or different two versions of a text are (say, the Propertius texts of Barber and Goold). In the discussion it became apparent that the two approaches a complementary, but Heslin’s talk was quite the satisfying (to me) attack on TEI-XML as a data model. Here are his main beefs:

Peter Heslin: The Problems with XML and the App. Crit.

Thomas Koentges gave an absolutely wonderful talk on the uses of distant reading techniques for Greek stylometry. Using the vastly increased corpus of Greek from the First Thousand Years of Greek project  he is able to use topic modeling to show quite clearly the in-authenticity of Plato’s Menexenus–only the most die-hard skeptic would disagree, it seems to me. The essence of the technique is to use the signature of relative frequency of extremely common tokens–the equivalent of our thes, ands, buts, and howevers–to group works and authors.

Cynthia Damon discussed her amazing success in getting students, ranging from high school age to undergrad to post bac to graduate, involved in that holiest of inaccessible mysteries of classical scholarship, textual criticism and the creation of the apparatus criticus. First, she teaches them how to read an app crit, leading them through the process of expanding into plain English what the apparatus is saying and what it is trying to do. Then she has teams of students transcribe individual manuscripts (of the Bellum Alexandrinum in this case) and note variants. These variants are placed into spreadsheets of the type Sam Huskey was describing, classifying and describing them, and choosing which should be displayed in the apparatus itself. Then information from existing apparatuses is integrated (in this case those of the Teubner and Bude texts). In addition to creating an entirely new text and apparatus for much of the Bell. Alex., the students identified 30 errors in the apparatuses of the Teubner and Bude editions. The electrifying effect of having students involved in the creation of new scholarly knowledge can be judged by the fact that three of the students made the journey to the Boston Marriott in freezing weather to attend the session. All told, 80 students have been involved so far. In one class, the students came to the final exam with a gift of a t-shirt for their professor: sine apparatu, sine honore

Sine apparatu, sine honore: T-shirt made by Cynthia Damon’s students at the University of Pennsylvania

Crane’s vision for OGL is to “make Greek and Latin play the biggest possible role in the intellectual life of human civilization.” OGL aims not just to present Greek and Latin texts in a readable fashion, but to be the focus of communities of readers and citizen scholars like those that Cynthia Damon is cultivating, and like the ones centered around the Holy Cross Manuscripts, Inscriptions, and Documents Club and its new off-shoot at Tufts. This philology is to be “community driven.” By getting students and others involved in the creation of scholarship through digital projects we prepare them for the future of work, he argues. Above all, philology must show its relevance if it is to survive in the competitive intellectual and institutional landscape of the coming decades. “We live in a world of fake news where truth doesn’t matter. Philology is an answer.”  

During the question period I asked how each presenter thought about their users, how they imagined the audience for their work. In most cases they said variations of “this  will be useful to scholars.” Crane’s answer was strikingly different. Professionals are “the least important audience,” he said. Rather, the proper role of the paid professional is to be the servant, the enabler of the community of citizen scholars and students. This is a vision that is profoundly important for our field, I believe. It motivates the scholars who contribute to DCC and to many other fine digital projects. Indeed, it has long been a part of the ideals of classical scholarship, for example in the late nineteenth century, when top scholars routinely wrote works for beginning students. Now, in what Crane called rather derisively the contemporary “print classics” world, this ideal has been somewhat forgotten. All too often scholars speak only to each other, and strive only to earn each others’ praise. 

This is not a call for “popularization” or “public facing scholarship,” both of which are quite valuable in themselves, but a call to find ways to create the kinds of scholarly and reading communities within and beyond the academy that will ensure the utility and contribution of our discipline in the coming decades. My intuition is that the way to do these things is to strive to broaden access to and understanding of the primary texts we love.

In the course of a review of an excellent Latin-Spanish bilingual edition of Frontinus’ De aqueductu, the distinguished Dutch classicist Vincent Hunink makes a welcome comment on the relative difficulty of obtaining Spanish classical books, including the one under review:

Perhaps I may take the opportunity to make a general point on Spanish books. In the world of classical scholarship, English, French, German, and Italian seem the dominant languages. Spanish, although a major world language, takes a much less prominent place, and I know many colleagues (to say nothing of students) who never open a book in this language at all. Several reasons may be adduced to explain the relative isolation of Spanish classical studies, but surely the lack of easy access to Spanish books must rank high. I have searched for Paniagua’s new edition online, but what I found was deploringly little, indeed: on August, 28th, 2017 there was one copy (!), without a cover image, available through Amazon, and one online shop in Spain that sells the title (Marcialpons.es). This means that this book is effectivelyunavailable to international readers, and that only dedicated specialists will take the trouble of purchasing it.

Spanish books on classics deserve more attention from the public, but for a start readers should be given the possibility to find Spanish books at all. I suggest that publishers, universities, and government institutions throughout the Spanish speaking world should unite forces and provide users with an easier way to become familiar with new Spanish books on classics, and to buy them if they are interested. A good Internet shop (or a serious Spanish department within an existing shop) might be an idea. Alternatively, an internet platform offering free PDFs of such books would be a great instrument to promote Spanish publications. As soon as information would become freely available, many of those who now decline to read any Spanish might be effectively tempted to change their behavior.

Much of what I suggest here on books in Spanish, also goes for books in that other important Iberian language, Portuguese. So perhaps a concerted Spanish-Portuguese campaign is due.

How is it that these publishers (or at least this one) are not doing the one thing they are supposed to to: publish, i.e., make their books widely available? Is this something more widely problematic in Spanish publishing, or is it a classics thing?