Between the years 1907-1917 Russia began changing, exploring new ideas and pushing boundaries with new forms of experimentation in it’s art. This change is known as the Avant-Grade movement. The movement consisted of young artist who had new views on the world, and ways to express these new ideas though art. The Avant-Grade movement called attention the real world, and rejected ideas of the mystical in their art. Gancharova, a leading member early in the movement produced a new “neo-primitive Russian style” with the use of angular silhouettes.… Read the rest here
The discussion of Russian popular culture and art in the early twentieth century is one heavily characterized by innovation, novelty, and experimentation. With the expansion of free speech seen in the advent of hundreds of newspapers and magazines, including the still famous Pravda, so too expanded the artistic venues by which painters, poets, composers, and actors plied their craft. In the closing years of the nineteenth century the Symbolists reigned supreme in Russian arts. Very much representative of traditional Russian culture, Symbolists followed a very hierarchal view of creative works, holding the artist as a “high priest,” affording him the right of interpretation and the ability to dictate the meaning and value of a work to the masses.… Read the rest here
When asked about Russian art the mind typically thinks of Byzantine Russian icons or matruschki dolls, not the ground breaking art made by the avant-garde artists of the early twentieth century. In reality, however, there was an artistic explosion in Russia from 1907-1917. But how did this artistic revolution develop in a country commonly ignored by Western Europe?
By the early twentieth century, economic change had come to Russia but the old soslovie social system remained the same.… Read the rest here
“Pictures of Pagan Russia in Two acts”-A fitting tagline for Igor Stravinsky and Vaslav Nijinsky’s ballet, Rite of Spring. Written and produced in 1913 during an artistic revolution in Russia, as well as Europe, Rite of Spring epitomizes the shift in artistic and political thought in Russia. The staccato rhythm of the music combined with the ritualistic, abrupt, and unstructured movements deviate from the traditional ballet performance centered around fluid scores and the graceful motions of the dancers.… Read the rest here
When speaking about the revival of art in Russian in the early 20th century it is important while reviewing this information to understand what Avant-Garde refers to and who Diaghilev is. Avant-Garde refers to experimental or innovative cultural work that pushes the boundaries of what is acceptable as the norm. Second, Sergei Diaghilev could be considered a patron of the arts during the early 20th century in Russia. He was an art critic, patron of the Ballets impresario, and founder of the Ballet Russes, where many famous dancers and choreographers would come from.… Read the rest here