Category Archives: Uncategorized

William Pannapacker to speak at THATCamp Harrisburg

The good folks at Messiah College and Harrisburg University are putting on a THATCamp, and I was pleased to see that William Pannapacker of Hope College will join in, Friday, October 25th.  Pannapacker is well known for his regular blogs and column in the Chronicle of Higher Education, and for his advocacy for the Digital Humanities at small colleges. Details are still being worked out, but he will likely have a featured session on Friday morning focusing on the present and future of the Digital Humanities.

William Pannapacker of Hope College was one of the plenary speakers at the inaugural THATCamp Vanderbilt, an “unconference” on the digital humanities. Source: Derek Bruff via flickr

If you have not yet registered and proposed a session or “dorkshort” to feature your project, please do!

THATCamp stands for The Humanities And Technology Camp.  THATCamp Harrisburg is a professional development opportunity for humanities professionals in both academic and non-academic settings. It serves to introduce newcomers to the tools and purposes of the Digital Humanities and give veterans an opportunity to deepen and broaden their skills, and to share them with others.

THATCamp Harrisburg offers opportunities for new conversations and relationships, and contributes to further work in the digital humanities that will benefit the Central Pennsylvania region, as well as the larger community of humanities professionals.

Call for Participation

Proposals we are soliciting

  • Workshops that will teach participants new skills or introduce them to new digital tools.
  • Sessions that will a) discuss topics of interest in the Digital Humanities, b) demonstrate tools, c) create participatory projects.
  • Dorkshorts – short presentations on current projects that participants have under way in the digital humanities.

For a list of sample sessions from other THATCamps, check the “propose” tab on the website:  http://hbg2013.thatcamp.org/propose/

To propose a workshop, session or dorkshort, register for THATCamp Harrisburg at http://hbg2013.thatcamp.org.  Then follow the instructions on the “Propose” tab.

For more information, post a query on the website, or send an email to Peter Kerry Powers, Dean of the Humanities at Messiah College, ppowers@messiah.edu.

Class-sourcing on Soviet Sustainability

Karl Qualls of Dickinson’s History Department reflects on plans to use digital tools in the teaching of Russian history and sustainability (re-blogged with minor edits from Teaching History)

Gleb Tsipursky of Ohio State University has advocated for the value of “class-sourcing,” that is, class assignments where students build websites, Pinterest boards, wikis, blogs, videos, podcasts, and other digital artifacts aimed at informing a broad audience about a specific subject.   In this post I would like to introduce how I have adapted Gleb’s project to my Soviet history course (Russia: Quest for the Modern, History 254) at Dickinson.

Gail Troussoff Marks ('73) and Karl Qualls, associate professor of history at Dickinson College, look over documents that Marks has contributed to the Dickinson archives. source: Dickinson College flickr http://bit.ly/16UZXd0

Gail Troussoff Marks (’73) and Karl Qualls, associate professor of history at Dickinson College, look over documents that Marks has contributed to the Dickinson archives. source: Dickinson College flickr http://bit.ly/16UZXd0

Dickinson  College has long been known for fostering global education and study abroad. More recently, we have taken up the call to teach our students and ourselves to be better stewards through the study and practice of sustainability. To this end, many faculty have been creating and reworking, to varying degrees, courses to highlight issues of sustainability in our fields. Given that most definitions of sustainability include not only environmental concerns, but also issues of human rights, access to political and economic power, and maintenance of cultures, the study of the Soviet Union seemed a logical course with which to begin.

Following Gleb’s lead, I have changed assignments in this course from a traditional research paper to a series of projects that will support students’ use of and contribution to our digitized knowledge base. In a series of steps, students will accumulate a bibliography on their topics, modify and annotate the bibliography, collect digitized sources (e.g. films, maps, timelines, photographs, etc.) that will help them tell a story, and then construct a lengthy multimedia blog post that will educate the broader public on their topics. Notes and bibliographies will be collected using Evernote so that students can easily sync their work between tablets and computers. Students will then share these Evernote assignments with classmates for peer review and with the wider world via the Twitter hashtag #h254 (after the course number) and other social media. Final projects will be posted to our blog in December and will be promoted via my Teaching History blog and on various social media outlets.

Updates on the course’s progress will appear every few weeks over on the Teaching History blog, and I’ll provide my thoughts on the pros and cons at each stage. Gleb will be providing his perspective in guest blog posts there as well.

From Russia With Data

Student-faculty research to digitize the Russian-American experience
by Tony Moore
August 27, 2013

A sign outside Gregory Gagarin’s home displays the name of his family’s former estate in Russia. (Photo courtesy of Karl Qualls)

Twenty years from now, when Associate Professor of History Karl Qualls is getting comfortable starting his 34th year at Dickinson and Caitlin Moriarty ’13 has been an alumna for two decades, a project they started this summer might still be going.

“This could be the rest of my career,” Qualls says, without a hint of doubt. The project at hand is nothing less than creating an online repository for the entire Russian-American experience, and it began with just one person: Gregory Gagarin, a Russian prince currently living in Maryland.

In the spring of 2013, Moriarty—who has been abroad to Russia and has studied Russian—curated an archives exhibit called A Family Story: The Troussoff Collection. The exhibit detailed one family’s immigration to the United States during the Russian Revolution nearly 100 years ago. At the exhibit opening, Qualls and Moriarty were standing with Gail Troussoff Marks ’73, a descendant of the Troussoffs and the collection’s donor.

“Gail knew the Gagarins and said [Gregory Gagarin’s] daughter wanted to have someone record his oral history,” recalls Moriarty. This instantly grabbed them both, and before they knew it, Qualls and Moriarty were headed to Maryland to interview Gagarin. After hours of conversation, it became apparent that while Gagarin’s life was big, the project could be much bigger.

“It won’t be just about him,” Qualls explains. “I’m hoping this will lead to more interviews and we’ll create a Web archive of the Russian-American experience.”

The project will bring history into the modern age as a Web-based digitized project, and that aspect will function as the growth engine, eventually churning vast amounts of data.

“Making this a digitized project will be a part of the new move toward digital humanities and opens the project up to Russia,” Qualls says. “If it’s on the Web, it’s there for people in Russia to find. Once there’s a critical mass of things online, people will start coming to us instead of us looking for them.”

The process so far has been eye-opening for both Qualls and Moriarty, and the unfolding cascade of discovery is what Qualls likes best about this sort of research.

“The serendipity is the exciting thing about being a researcher,” he says. “There’s always something else out there. If you talk to the right people, have the right conversations and read the right things, there’s more out there to do than you could ever possibly finish.”

This post originally appeared on the Dickinson College website.

Notes from the Field: Isomer Musical Metacreation Project

Jamie_2

Jamie Leidwinger, Class of 2015
Music Composition & Political Science

Over the summer, Dr. Wilder and I have set up camp in Drexel University’s Expressive and Creative Interactive Technologies (ExCITe) Center in Philadelphia to work on the Isomer Project: a digital humanities research project aimed at teaching computers to listen to music sensitively. Our goals for the summer are to develop both quantitative and qualitative aspects to Isomer’s ability to listen and identify descriptors for music. During my first day at the ExCITe Center, Dr. Wilder showed me examples of production music, or music used in advertising. Upon listening to production music on its own for the first time, I was surprised at how formulaic it sounded. Despite appearing musically clichéd, advertising music provides the perfect means to understand how emotion is transmitted in music, because it is designed to elicit specific emotions in order to create associations with a specific product. Although it was entertaining to listen to the differences between tracks, we then began to analyze exactly how this music is able to achieve its desired effect.

We started our analysis with mood keywords, such as “tension” and “romantic,” associated with each track. Dr. Wilder wrote a program to automatically extrapolate the keywords associated with each track. To better understand the relationships between the keywords, I researched social networking theory in order to navigate the massive amount of data. I found Mark Granovetter’s recently republished article “The Strength of Weak Ties” (1973) extremely useful in understanding how units relate to one another. In the relatively small sample of tracks we used (around 2,000) we found a surprisingly limited number of unique keywords, but an incredibly dense network of connections. I applied several sorting and ranking algorithms intended for social network exploration with the goal of finding the most popular keywords. Some of these included descriptors such as “vocals,” “pop rock,” and “movement.”  From there, we chose several prominent keywords, and developed them into “mood-trees.” For example, one of our root words was “electronic.” Tracks that were electronic had several mood branches, such as “electronic-dark” and “electronic-percussive,” each with their own distinct sound and usages. Eventually, we hope to have Isomer listen to and generate its own music.

Jamie_1

Dr. Gregory Wilder
Visiting Associate Professor of Music

Dr. Wilder has been an incredible mentor this summer. One of the most interesting and valuable skills I learned while working with him is the way he ties cross-disciplinary elements into our project. With each task, a related field such as business, programming, and music cognition will intersect with our work – and when that happens, he takes the time to explain exactly how. This experience is more like a real-world collaborative business venture than just a research position in a lab, and I am incredibly grateful to have this opportunity.

New Course: Writing in and for Digital Environments

Under the auspices of the Norman M. Eberly Writing Center and the Department of English at Dickinson, Sarah Kersh will be offering a brand new course this fall focused on writing in digital environments. Sarah sends along this preview.

art photos on easels in library

The recent works of Dickinson’s student photography club are on display near the circulation desk in the Waidner-Spahr Library, which is also home to the Norman M. Eberly Writing Center.

Writing in and for Digital Environments (WRPG 211) is a new course designed to encourage students to think about how to convey a thought or point of view using more than just letters and words on a sheet of paper. Of course, there is no substitute for well thought-out and aptly articulated writing, and first and foremost the course uses the electronic environment to challenge and develop students’ writing skills. But it also teaches basic proficiency in WordPress and other common online platforms (Twitter, Tumblr, Pinterest, Facebook, etc.), and course assignments require regular reflection on the writing process, and on the tailoring information to specific audiences and media. Each student will design, build, and begin regularly posting to her or his own blog.

“Multimodal composition,” which is the combined use of text, image, video, and sound to convey meaning or create an effect, is no easy task. In her article “Between Modes: Assessing Student New Media Compositions,” Madeline Sorapure points to the inherent difficulty in rethinking traditional, paper-based composition:

…in writing [traditional] essays students have to worry only about working with text, and this is challenging enough. In new media compositions, students are being asked not only to use several different individual modes, but also to bring these modes together in space and time. (p.4)

But it also means thinking more deeply about communication and the ethics of information. Alongside our work on composition, we’ll discuss and read about questions such as, How does information circulate? How do copyrights work in digital environments? Who owns information? Is there an ethics of the digital age? Brian Carroll’s book Writing for Digital Media (Routledge, 2010), as well as other online articles and resources, will help us think through these fascinating questions.

Because many of our conversations about composition in digital environments will involve integrating multiple voices and forms communication, our class will model this kind of multimodal presentation by integrating voices from inside and outside of the Dickinson community. We’ll be working closely with members of the Academic Technology staff on campus, as well as hearing from specialists in the field: a freelance science writer most recently featured in the Chicago Tribune, a tech entrepreneur specializing in data visualization and online narratives, and others. Finally, part of my goal for the semester is to challenge students in the class to think about and write from new perspectives. We will use Keri Smith’s Finish this Book (Penguin, 2011), an innovative “unfinished” mystery that gives readers the tools to complete it themselves, as a unique and fun prompt for outside-of-the-box thinking and writing.

Follow the Writing in and for Digital Environments course blog to see our syllabus, students’ weekly reflections, as well as links to semester projects:http://blogs.dickinson.edu/wrpg211/

Questions or comments? Please feel free to contact me at kershs@dickinson.edu or http://sarahkersh.wordpress.com/.

 

 

 

Support Available for Dickinson Faculty-led Digital Projects

painting of an elderly Amdrrew W. Mellon in profile

Andrew W. Mellon. Source: http://bit.ly/1e93moL

Thanks to a grant from the Andrew W. Mellon Foundation support is available now for faculty-led digital humanities projects. Various kinds of support are available, from sabbatical supplement grants to student research assistants, grants for travel to training opportunities, or for the purchase of databases and materials, among other things. The “Get Support” item on the menu above has details on what we can support and how to apply, and if you are unsure about whether what you have in mind falls under one of the existing categories, please don’t hesitate to contact me.

Please note that August 23 is the deadline for applications for fall projects.

In other good news, Mattew Kochis joined the faculty of the College on July 1 as the Mellon Postdoctoral Fellow in Digital Humanities. Matt holds a PhD in English Literature from the University of Tulsa (2013), and worked for two years as the project manager for a large digital humanities endeavor called the Modernist Journals Project. He has an office on the second floor of the Waidner-Spahr Library (right next to Robert Renaud’s), and would be delighted to talk to faculty about digital projects at all stages of conception and execution, grant applications, and related matters. His campus extension is 254-8018 and his email address is kochism@dickinson.edu.

Wishing you a relaxing and productive summer,

Chris Francese  (francese@dickinson.edu)

Dickinson College Commentaries Video

Dickinson’s Marketing and Communications Office has produced a very nice short video about Dickinson College Commentaries, highlighting student involvement in the project. Thank you to all who helped make it, especially Connie MacNamara, who put it in motion, and to the featured students, Chloe Miller and Jimmy Martin.

[youtube_sc url=”http://www.youtube.com/watch?v=1o7rroyyz4w”]

Message to the Dickinson Board of Trustees

19th-century scientific apparatus once used in college science laboratories.

19th-century scientific apparatus once used in college science laboratories.

The Dickinson Board of Trustees was in town for one of its annual meetings last weekend. In addition to a farewell to our extraordinary President Bill Durden, who is moving on after 14 very successful years, there was the usual slate of committee meetings and so forth. I was given the chance to speak to the committee on academic affairs for a few minutes about academic technology. MOOCs have been much on their minds, and were discussed at length at a previous meeting I did not attend. Rather than address this macroeconomic issue that is in important ways out of our control, I gave them a faculty perspective on what’s going on currently with academic technology at the College. Here is what I said:

Among faculty there is a growing realization that the internet, technology, and social media are not just things that distract our students, give them short attention spans, and allow them to do superficial research for papers—though the internet enables all of those things. New digital tools can actually help us do our jobs better, help us teach and do research more effectively. But how, exactly? That’s the question that hangs over all the many discussions regarding technology and education in a liberal arts college setting. The answers are discipline specific, and vary even from class to class in a given subject. But I think there are three broad benefits. In the liberal arts college environment, academic technology can

  1. Develop students into public scholars. Podcasting, blogging, and collaboration on faculty-led projects puts students in a situation where the audience is now not just me. I become the coach, not the judge. This has powerful benefits for the teaching of writing. My own experience with podcasting is that the initial drafts of the scripts are in a traditional, stilted academic style, but the second drafts involve massive re-writes and improvements, into a style that more closely approximates the kinds of writing they will have to do after college. It’s the best way to teach writing that I know of.
  2. Show publicly what the liberal arts can do. Traditionally, what the liberal arts does has been behind closed doors, very cut off from public scrutiny. In the age of $50k tuition it’s more important than ever to share the products and innovative teaching methods openly so people can see them. What liberal arts students learn to do is contextualize, analyze, and present information. These are things the internet really needs, and we can provide, a real social benefit that is consistent with our mission.
  3. Enhance collaboration and sharing among scholars. This is a true revolution, and I have experienced it over and over again with my own project, the Dickinson College Commentaries. People from all over the country and the world have come forward to contribute to this project. It has attracted everything from Oxford professors to freelance app developers to grad students, undergraduates at other institutions, high school teachers, amateur enthusiasts, and even a lieutenant in the US army. The kind of public impact one can make with a quality website in some cases outstrips–is of a completely different order than–what one can do in a print scholarly journal. Which is not to say that print is going away or is irrelevant.

The Dickinson-based projects listed on the DHAC website are doing these things in various ways. We are among the most active liberal arts colleges in the country in this realm, which is reflected in our winning the Mellon grant. But there is a lot more to develop. The Mellon grant allows for a postdoctoral fellow, and this will be extremely helpful in nurturing new projects and pedagogical techniques that will arise organically out of what we already do. Not all faculty are heading this way. These kinds of projects are often not viewed as earning promotion and tenure; we were all trained to go after the print publication above all; and of course there is widespread distrust of distance learning, and awareness of the downside of social media in terms of decreased attention span and focus for detailed academic work. But when it comes to doing things that genuinely enhance our mission, we have great support from our Academic Technology unit, and I think with increasing faculty leadership on these issues digital technology will be more and more seen by faculty as the great intellectual opportunity that it is.

–Chris Francese

House Divided: Summer 2013 Plans

Summer 2013 plans for House Divided include the creation of an audio archive of Abraham Lincoln’s  selected writings, a series of short, instructional videos featuring Prof. Matthew Pinsker teaching key documents from the Civil War era, increased alignment with the Common Core Standards for Social Studies literacy, and the launching of Dickinson’s first open online course.

House Divided screen shot

Since its public launch in 2011 at the start of the Civil War 150th anniversary, Dickinson’s House Divided project, directed by Prof. Pinsker, has experienced more than 500,000 visitors and over two million page views across its network of two dozen websites.

Its research engine contains 11,000 public domain images and tens of thousands more historic documents and records.  The other related sites, such as digital classrooms, special exhibitions, and blogs, have evolved from this vast main resource (see Index Page). House Divided also maintains a significant presence on social media, including a Twitter following now approaching one thousand.  Prof. Pinsker will carry out an ambitious expansion this summer, thanks in part to the digital humanities grant the College received this year from the Andrew W. Mellon foundation.

Matthew Pinsker

Across the House Divided network, its target audience remains K-12 and undergraduate classrooms, but the site also spurs a steady stream of requests from authors, journalists, genealogists, Civil War buffs and others.   “The next challenge, beyond simply editing, refining and expanding the content,” says Prof. Pinsker, “is to find ways to relate the site to what is called the Common Core. These are nationally developed state standards for reading and math that have been adopted just in the last few years by 46 states.”  The Common Core standards for social studies literacy emphasize close readings of primary source documents–an approach that fits perfectly with the nature of the House Divided Project. With help from the Mellon Digital Humanities Fund Pinsker plans to transform House Divided into one of the nation’s leading web-based Common Core resources for Social Studies and English teachers.

Dickinson College theatre professor Todd Wronski will prepare in August 2013 a series of freely available podcasts for Abraham Lincoln’s selected writings.  Wronski will become in effect the “voice of Lincoln” for the House Divided Project. He has already recorded a podcast of Lincoln’s 1859 autobiographical sketch. The recording was recently used as part of a Common Core-aligned lesson plan that features several components of the House Divided Project, including a Dickinson History Department course on the 1860 election that was filmed by C-SPAN and relied heavily on a close reading of the sketch.  This post offers a model for what is intended for 150 of the most significant Lincoln documents, including his most quoted letters and speeches.

Civil War digital classroom screenshot

With funding from the Mellon DH initiative a team of consultants at the Gilder Lehrman Institute for American History, led by independent filmmaker Lance Warren, will help the Dickinson team create a series of short, instructional videos featuring Prof. Pinsker teaching key documents from the Civil War era (including many of the same Lincoln documents developed in the Wronski audio project).  Warren and his documentary team have already created a series of such short instructional videos with Prof. Pinsker (including a virtual field trip to Gettysburg) that can be accessed here. These videos helped support a summer 2012 online professional development course that House Divided created with Gilder Lehrman.

Building on this experience, Pinsker will expand that partnership to launch Dickinson’s first open online graduate course in summer 2013.  The videos will be used as the base instructional material for quiz-taking by auditors and also as freely available online resources for English and Social Studies teachers who want to “flip” their classrooms when teaching the Common Core.  An example of how that might work can be seen here, with a video-based teaching unit on the Emancipation Proclamation. 

As part of this effort to launch Dickinson’s first open online course, two Dickinson students will participate in shaping and evaluating the course materials and curriculum History 800, “Understanding Lincoln.”  Dickinson will  offer full graduate course credit for up to 100 eligible participants, and then free access to others who simply want to follow along.  The Dickinson students will work closely with Pinsker in June 2013 to refine and test various course content and assessment materials; help support the initial launch of the course in July 2013, and contribute significant research and analysis to a planned pedagogical article by Pinsker about the experience of online liberal arts learning.

Meanwhile, House Divided also continues important digitization and transcription work on major printed sources from the Civil War era, such as the illustrated periodicals Frank Leslie’s Illustrated Newspaper and Harper’s Weekly Magazine and from many other leading period newspapers and books. 

Matthew Kochis named Mellon Postdoctoral Fellow

Dickinson is very pleased to welcome Matthew Kochis as the new Mellon Postdoctoral Fellow in Digital Humanities. Matt comes to us from the University of Tulsa, where he is finishing up his PhD in English. While at Tulsa, he has been a digital editor for the Modernist Versions Project and project manager for the Modernist Journals Project.

Kochis headshotIn addition to his more traditional work in the field of British and Irish modernist novels, Matt has developed various kinds of expertise in the digital humanities, with a focus on textual editing. At the DH Summer Institute in Victoria BC in 2011 he produced an annotated version of the “Nausicaa” episode from Joyce’s Ulysses, work he continued at a five week NEH seminar in Dublin in 2013. As digital editor of the Modernist Versions Project he uploaded high-quality scans of the first (1922) edition of Ulysses, a resource which became a key part of the “Year of Ulysses” initiative, a digital project that hosts various version of Joyce’s work online. While managing the staff of the Modernist Journals Project Matt used ABBYY FineReader 9.0, an optical-character-recognition software, to convert scanned images of early twentieth century magazines, like Margaret Anderson’s The Little Review and Ezra Pound’s The Egoist, into searchable PDF files. He also improved MJP’s archive by performing TEI, XML, and MODS record encoding for the magazines.

At Dickinson, in addition to pursuing his own projects, Matt will work as a catalyst for faculty innovation by planning, promoting, and implementing strategies to encourage faculty discourse about pedagogy, e-learning tools, and the integration of digital media into teaching and scholarship. Matt’s gregarious and engaging personality should help a great deal in that task, and we are delighted to have his help in forwarding the already vigorous DH initiatives at the College.