Dickinson College Humanities Program in Norwich

Shakespeare and Hall: A Look at Rural England

September 11, 2009 · No Comments

Having viewed both Shakespeare’s As You Like It and Mr. Lee Hall’s new play, The Pitmen Painters within three hours of each other it is hard not to compare the two. At first glance they seem wildly different. Shakespeare’s comedy is about courtiers pretending to be poor, while Pitmen focuses on members of the lower class themselves. One is set in 17th century France, and the other in World War II England, and not any England, but in Ashington, a small suburb of Newcastle in the dreary northern region of Northumberland. One focuses on the trials and tribulations of Love, while the other is a poignant look at stereotypes and one’s duty to oneself.

In short, they are describing two very different types of England. Yes, As You Like It is set in France, but that was simply Shakespeare’s way around censorship laws. He describes an idealistic England, filled with courtly love and beautiful scenery. He portrays the rural working class as idiots without a whole brain between them. Indeed, that is the way Shakespeare usually describes the lower classes. His plays usually feature courtiers of some kind, and the poor are usually treated as comic relief, if not with outright contempt. This is rather ironic considering his audience was mostly the working class of London, though since his patronage came from the court, perhaps not entirely surprising.

It is almost the exact opposite with Hall. He chooses to glorify the common man, while members of the upper class come off looking silly, or just plain sad. I took the character of Mr. Lyon as rather a fool. He couldn’t really see art until he saw it through the eyes of the uneducated pitmen, and when he left to be a professor he lost any sense of artistic discernment, or even humanity, that he had left. He became a shell of a man creating mediocre art. It seemed to me that he learned nothing from his time in Ashington, except that he could never see things as clearly as Oliver, so he ran away and hid behind his books. The pitmen, on the other hand, are the ones that can truly understand the meaning of art. These men who stopped school at ten, who spend day upon day deep in the ground outshone someone who spent his life studying art. Mr. Hall breaks down the stereotypes of modern England. As with Billy Elliot, the underprivileged prove themselves to be more than just hard laborers and thugs. A lot of Hall’s own history went into the writing of his two most well known plays. He was from a small mining town in Northumberland. Instead of wanting to paint or dance, he wanted to write, something that was frowned upon. He overcame the judgments of his friends and family, and the challenges set forth by society, and he is now a successful playwright. Like the author, the pitmen become a huge success, despite the hardships that accompany the journey.

I think it was very eye-opening to have viewed these two shows back to back as I did. Though they are divided by stretches of time and different subject matters, it was interesting to see the ways different playwrights interpret English life. Shakespeare’s portrayal of rural life as happy-go-lucky is a stark contrast to the gloom of Hall’s mining town. They were both excellently done performances, and as such they left me considering the way in which I perceive English culture as a whole.

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