Here are two very different quotes/poems about the British Museum (especially the Reading Room)
“If an army of monkeys were strumming on typewriters, they might write all the books in the British Museum”
-Sir Arthur Eddington
At the British Museum
-Richard Aldington
I turn the page and read:
I love the-wait for it- juxtaposition of these two quotes. One describes the beautiful “great dome” of the Reading Room and the other yields a sarcastic, even cynical, view of the very same room. I appreciate both for their differences, but I have to say that the British Museum is exceptional. The sheer size of the building is enough to be completely overwhelming and the collection itself is staggering. When I first walked in and saw the Reading Room and the white floor and walls, I really felt the weight of the great minds of the past bearing down on me. At the time I had also been doing research on Virginia Woolf and George Eliot, two feminist literary figures in the 19th century. Both had studied in the Reading Room and had come up with some amazing pierces of literature there. For me, it bordered on a spiritual experience simply because I was in the presence of progressive thinkers who had so influenced the literary world. And so that was my first impression of the British Museum and they didn’t stop there…I also began to formulate some questions about the past, present, and future of our own history. Walking through the museum and looking at the relics and artifacts from ancient empires made me wonder what antiquities future generations will keep in museums from our lifetime. When does it become ok for museums to take bodies from, say, sarcophaguses and put them behind glass? When do our tools become tools of the past? I am still pretty astounded by exhibits and the sheer history that is encompassed in a single place. The funny thing about museums (and this one in particular) is that they paradoxically make these ancient civilizations visual, yet somehow less real. I think this is largely due to the fact that the pots, statues, and other relics sit within a huge and beautifully furnished building. They are simply displayed on stands, under lights, and behind glass. I feel more like I am peering through a window into another time rather than getting the sense that these artifacts were used by people as tools for everyday life. Overall, it was hard for me to marry the idea of ancient artifacts behind glass and it has given me something to think about as I continue to visit more museums while I’m in London.
Cabinet War Rooms
This particular blog will mostly be about how I felt as I walked through the war rooms which were pretty frightening
IDENTITY
Oxford v. Bath |
2 responses so far ↓
Karl // Sep 15th 2009 at 03:42
Can you edit and reformat. There is a big break here and then what appears to be notes for a separate post.
russella // Sep 15th 2009 at 04:40
Risking an end to our friendship, I think I still have to comment. Namely because I agree completely. It is so difficult for me to stand in museums looking at artifacts (or antiquities) that have become so void of humanity. Why do these objects have value? Because at one point they were touched by wonderous civilizations so long ago. It terrifies me to think that one day we will be in the same position– on display being peered through glass.
As for the when, I’m not sure if you know anything about NAGPRA, but it deals with Native Americans trying to fight the museumization (new word made by andrew) of their culture.
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