Dickinson College Humanities Program in Norwich

Disraeli and Gladstone, plus why the National Portrait Gallery needs affirmative action

September 3rd, 2010 · 1 Comment

First, who’s not in the National Portrait Gallery? Minorities!  Honestly, even without the prompt, it would have been a slow realization that as we walked through room after room of white faces, something was missing.  There was one freed slave portrayed in the audience of an abolitionist convention, and that was about it as far as paintings of minorities at the Gallery go.

Second, and more broadly, working class people are not in there.  This, to me, is less upsetting as it’s just a natural consequence of the fact that only the upper crust can afford to have portraits commissioned.  Hours after visiting the Gallery, though, the lack of minorities still rankles, for one simple reason.  If a black or Asian or Latino family came to visit the Gallery, and one of the children asked their parents “Why don’t any of these people look like us?” the parents would have no good answer.

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We were supposed to pick one portrait that we found particularly affecting.  As a political science major who has taken British History 244, though, I could not resist going with the dueling portraits of William Ewart Gladstone and Benjamin Disraeli.  Gladstone was the pillar of 19th century liberalism, while Disraeli was his counterpart on the right.

credit: youreader.com

This is exactly how the two portraits (by the same artist, Sir John Everett Millais) appear in the Gallery.  In the Victorian era, the two were the titans of Parliament, serving as Prime Minister six times collectively.  There is much, much more on their epic personal and political rivalry here:

http://www.bbc.co.uk/history/british/victorians/disraeli_gladstone_01.shtml

A favorite quote of mine on their lack of mutual respect, from Disraeli is “The difference between a misfortune and a calamity is this: If Gladstone fell into the Thames, it would be a misfortune. But if someone dragged him out again, that would be a calamity.”

Their respective portraits contain subtle and not so subtle bits of political imagery.  First, Gladstone is facing to his left, while Disraeli is facing his right.  The rest of what follows may be a bit of armchair psychology, but I believe it speaks volumes about both men.

–          Gladstone has his hands folded, while Disraeli’s arms are folded in an aggressive posture.  Disraeli was far more warlike as prime minister.

–          Gladstone is looking towards the sky, while Disraeli’s gaze is a bit more earthward.  This is in line with both men’s fundamental outlooks on life: Gladstone considered himself a great Christian moralist, while Disraeli preferred to concern himself with more earthly issues, considering Gladstone to be out of touch with the nitty-gritty of the world.

While the placing of these two portraits together obviously has an intended effect, that does not make the effect any less powerful.  While standing in front of the two portraits, I felt like I could almost feel the hate flowing between these two great men, a great moment for a politics junkie like me.

Tags: 2010 Dennis · Museums

What are Green Spaces?

September 15th, 2009 · 3 Comments

Instead of regurgitating into this blog post all of the research I did for my Hyde Park group walking tour, I’d like to present green spaces in a slightly different manner. This photoessay will show my impressions of what green spaces mean to London.

So, what are green spaces?

Green spaces are very, very green.

Green spaces are very, very green.

They are right in the middle of a busy city...

They are right in the middle of a busy city...

but quiet enough to sit and read.

but quiet enough to sit and read.

Green spaces are political

Green spaces are political

beautiful

beautiful

and festive

and festive

yet serene

yet serene.

You can bring the whole family...

You can bring the whole family...

or just the kids.

or just the kids.

So sit back and relax

So sit back and relax.

Soak up some sun.

Soak up some sun.

Then, cool off with a quick dip.

Then, cool off with a quick dip.

But no matter who you are or what you do...

But no matter who you are or what you do...

green spaces lead you straight to London's heart and soul.

green spaces lead you straight to London's heart and soul.

Tags: Sarah

My Notting Hill Carnival Experience

September 2nd, 2009 · No Comments

When I was first told about the Notting Hill Carnival, I have to say I was quite excited about getting the opportunity to attend.  However, I really had no idea what to expect.  I was told it was the second biggest street festival in Europe, so naturally I thought it would be intense.  When we arrived in the morning it seemed pretty dead.  The rubbish in the streets told me the prior day must have been quite a good time.  I am glad that one of my first discoveries was a 2 litre bottle of Strongbow cider; something I did not expect to see at all.  Nonetheless, my initial reaction was one of disappointment.  We just walked about looking for a place to sit in order to watch the inevitable parades.

Despite the disappointing morning, the carnival came to life as noon approached.  The first thing we saw was a very diverse parade.  The participants ranged from a person dressed in what appeared to be a wedding dress with attached skeletons and machine guns to dinosaurs, a snake/bird creature and Corona girls.  It appeared like everyone was having a good time, but I was still expecting more people.  Luckily, the crowds did begin to grow once we started walking around the neighborhood.

One aspect of the carnival which really interested me was the political graffiti.  It seemed that almost all of it, from what I saw, was “leftist” in nature.  Two in particular caught my eye.  One was a banner of sorts with Che Guevara in the middle.  Spray painted on the red background was “Who the f*ck is this” with the response “Surely not Che?”  I thought this was very interesting and entertaining.  The other piece of graffiti I enjoyed was just a quote spray painted on wood which said “In a democracy dissent is an act of faith.”  Overall, I am glad I was able to spot the graffiti I did see and be able to capture it through a lens before it was washed away.

In the end, I really liked what I saw of the carnival.  The food was simply amazing and very numerous.  It was hard not to walk five feet and not spell something delicious being cooked.  The parades were also fun to watch, especially the Jamaican one.  Nevertheless, I still did expect more people.  Though the crowds were pretty big, for the second largest street festival in Europe, I was disappointed at the amount of people.  Of course, that does not mean I would not come back because it was an amazing experience and one I do not regret.

Tags: Andrew F