Dickinson College Humanities Program in Norwich

A Stranger in Strangers’ Hall: When a reproduction just isn’t good enough

February 26, 2010 · 1 Comment

Today I went to Strangers’ Hall with the notion that I was going to be helping out with some children’s project or making another “robot” out of a box. Sadly, today was completely normal. After learning about what I was supposed to help out with today, my boss and I got on the subject of my research paper. This enthused her so much that I ended up doing research for my project instead (which I am not complaining about in the least!).

For the couple hours I was there we bonded over “museum talk” or the pains and joys of being involved with museums. In a mere two hours or so that I was at Strangers’ Hall, I learned its life story and why it is the way it is today. She brought out dozens of newspaper articles and photo albums of the museum in its heyday, about 30 years ago. Seeing the museum as it is today compared to what it was back then I couldn’t believe the difference.

What I noticed the most through my exploration of Strangers’ Hall’s history was the massive collection the museum houses. But what I noticed even more was that about 1/18 of that is on display today. I had no idea about the amount of “stuff” the museum owned. I learned that the Hall owns about 25,000 objects and artifacts, but the majority of them are stored away. Even the objects strewn about the museum today are reproductions. With reproductions it allows a museum to become “more accessible” to the public because it makes them feel like there are less barriers around and that they can touch “historical” objects.

This got me to thinking about what is better, accessibility to museums (through reproductions) or having more of the “real stuff” on display. I briefly discussed this with my boss, who told me a  story about the National Trust in England. The National Trust basically protects, preserves and funds sites all around England. What the National Trust is supposedly doing now is working with certain museums to “bring down the ropes” or the barriers behind authentic items to make objects and museums more accessible and have the “real stuff”.

Although that may sound like a great idea, I happen to disagree with the National Trust. In my years of working in museums, I have learned all to well that it is the adults you have to worry about more than the kids when it comes to handling objects. I’ve witnessed adults open closet doors, pick up priceless artifacts, try to go past “No Admittance” areas and even touch my personal objects. Sure there are also plenty of children that can be as bad and be reckless, but I believe adults are just as bad, or even worse.

Despite those qualms,  I am a fan of reproductions and authentic items and I think a museum needs a balance of both. I love reproductions because people can actually handle historical objects and understand more the lifestyle and people of the past. And I also love authentic artifacts because people do come to museums to “see the real thing” and there is so much more meaning in seeing a real, historic object compared to a reproduction of the same thing. My question to any of you reading this entry is, what do you think?

Hours logged: 2 1/2
Total hours: 11 1/2

Categories: Alli · Museums
Tagged: , , , ,



1 response so far ↓

  •   Karl // Feb 26th 2010 at 17:31

    Real things on display, but well protected. As an historian I freak out when I see people handling objects without care. There is a BBC show on now called Seven Ages of Britain, and the host consistently handles manuscripts several hundred years old with no gloves on!!
    Kudos for getting volunteer hours and research hours at the same time.

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